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GARANTITE E REVISIONATE DELLE MARCHE MIGLIORI

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SONUS  FABER    ELECTA                                                                                                                 €. 1.200,00

Description: Two-way dynamic ported minimonitor. Drive-units: 1" soft-dome tweeter, 7"-cone long-throw midrange/woofer. Crossover: 2.8kHz, 6dB/octave slopes. Frequency response: 42Hz-20kHz, ±3dB. Dimensions: 13" H by 8" W by 13" D. Weight: 65 lbs/pair. Read more at https://www.stereophile.com/content/sonus-faber-electa-amator-loudspeaker-

INFINITY EPSILON                                                            Telefona/Email

 Caratteristiche funzionali :Emissione dipolare controllata Livello di emissione dei trasduttori regolabile individualmente Componenti passivi selezionati Connettori massicci placcati in oro Possibilitŕ di collegamento normale, bi-wiring e bi-amping Mobile in legno HDF con rinforzi interni Pannello frontale antirisonanza con spessore 60 mm. Finitura artigianale con lucidatura manuale Colore noce Supporti per disaccoppiamento da terraAltoparlanti perfetti Misure:151.8cmx47cmx 41.3

The Epsilon was the last of the truly top-of-the-line speakers produced by Infinity. Designed by John Miller and Cary Christie after Arnie Nudell had left Infinity, it was designed to be the heir to the IRS Betas, but in a more compact package that was easier to place in a room. The Epsilon was a departure for Infinity, in that, after many years of dipole speakers, it was sealed in the back and was (primarily) monopole. The Epsilon may be the most neutral speaker I’ve ever heard - no coloration of the music at all, just very clean, detailed sound. Its only shortcoming may be a lack of deep bass response, the result of trying to fit everything into a single cabinet.

TRIANGLE   CELLO                                                                                                           Telefona/Email

When listening to this loudspeaker, the magic of music unfurls before you. triangle has succeeded in adapting the performances and the immaculate control of the magellan Grand Concert to this reasonably sized loudspeaker. Cello provides that extra something which conveys the intense emotion of a musical performance without appearing to make any particular effort. The listening experience is pure unlimited pleasure regardless of the type of music, delivered with magnificent scale and it’s never tiring. It has a wide array of musical skills. It’s as perfectly at ease at high volume level as it is for intimate listening, and is suitable for rooms measuring 25 to 50 m2. The sandwich technology developed by the aerospace industry ensures that the two bass drivers are extremely lightweight and also particularly rigid.

NUMBER OF DRIVERS 4 NUMBER OF WAYS 3 TWEETER TZ2900 GC MIDRANGE T16GMF100-THG06 WOOFER (2X) T16GM-MT15-GC2 SENSITIVITY 91 dB/W/m FREQUENCY RANGE 35 Hz – 20 KHz (+/- 3 dB) POWER HANDLING 200 W REPETITIVE PEAK POWER 350 W SPL MAX 112 dB NOMINAL IMPEDANCE 8 Ω MINIMUM IMPEDANCE 3 Ω LOW FREQUENCY ROLL-OFF 400 Hz (12 dB/Oct) HIGH FREQUENCY ROLL-OFF 2800 Hz (24 dB/Oct) DIMENSIONS 1138 x 423 x 371 mm WEIGHT 34 kg

B&W 802 DIAMOND                                                                                                                   €.  6.000,00

Diffusore 3 vie, 4 altoparlanti, bass reflex, 2 woofer in Rohacell, midrange FST (Fixed Suspension Transducer) in Kevlar, tweeter Nautilus con cupola in diamante. Struttura interna Matrix, testa medio/alti in Marlan. Predisposta per bi-wiring, potenza 50-500W. Con tecnologia “Flow Port System”. 802 Diamond č la versione “domestica” dell’800 Diamond. Offre molte prerogative dell’800 Diamond – top di gamma – inclusa la “testa” per mid e tweeter, ma con un ingombro piů ridotto per essere compatibile con gli ambienti residenziali.

B&W 803 NAUTILUS                                                                                                                        Telefona/Email

Il modello 803 utilizza la cupola in alluminio B&W per l’unitŕ alti, quest’ultimo migliorato dall’adozione di una sospensione di nuova concezione, capace di lavorare in maggior in sincronia con la cupola. Questa soluzione permette all’altoparlante di avere una risposta in basso piů estesa e quindi consentire a sua volta l’utilizzo di un crossover semplificato. Altra caratteristica della tecnologia Nautilus č la camera di decompressione dietro al tweeter, questo montato separatamente sul pannello superiore del cabinet. Entrambe le cose - sommate - realizzano un suono di maggior chiarezza. Al tweeter si associa, senza soluzione di continuitŕ, l’unitŕ medi con tecnologia FST, responsabile di un palcoscenico acustico tangibile e tridimensionale. La gamma bassa č affidata a due altoparlanti con cono da cm.18 in Rohacell, operanti in reflex con tubo di accordo frontale dotato di Flowport, trattamento della bocca del condotto che elimina il soffio dell’aria in rapido movimento. La forma a torre č tesa a contenere l'impatto nel'ambiente domestico, differendo dalla serie 803D per l'adozione del tweeter in alluminio. Il sistema acustico opera in configurazione bass-reflex, 3 vie/4 altoparlanti, con una risposta in frequenza, in asse, da 35 Hz a 22 kHz. Struttura interna "Matrix" antirisonanza e per l’irrigidimento del mobile. "Testa" medio/alti in Marlan. L'803S puň riprodurre una poderosa gamma bassa, sia estesa in frequenza, sia in livello di pressione acustica. Nonostante la sensibilitŕ elevata, il suo carico minimo si attesta attorno ai 3 ohm, cosa che la rende compatibile al meglio cion elettroniche di gran classe musicale e sapiente progettazione. Consigliamo al riguardo di visitare le pagine del sito Audiogamma relative a: Primare, Classé Audio, Jeff Rowland D.G. Potenza applicabile: 50-250W. Soluzione "Flow Port System" per il contenimento del flusso dell'aria dal tubo di raccordo del reflex. 90dB la sensibilitŕ.Technical Specifications  Description 3-way vented-box system Dimensions Height: 1063mm (41.9 in) (not including feet) Width: 291mm (11.5 in) Depth: 433mm (17 in) Net Weight 41kg (90 lb) Freq. Response 35Hz - 22kHz ±3dB on reference axis Freq. Range -6dB at 28Hz and 50kHz Sensitivity 90dB spl (2.83V, 1m) Normal Impedance 8 ohms (minimum 3.0 ohms) Power Handling 50W - 250W into 8 ohms on unclipped programme Drive Units Unit 1: 1x 25mm (1 in) aluminium dome high-frequency Unit 2: 1x 150mm (6 in) woven Kevlar® cone FST midrange Unit 3: 2x 180mm (7 in) Rohacell® cone bass Finish Cabinet: Real wood veneers of Cherrywood, Rosenut or Black Ash Grille: Black cloth Dispersion  Description: Within 2dB of reference response Horizontal: over 60ş arc Vertical: over 10ş arc Harmonic Distortion 2nd and 3rd harmonics (90dB, 1m) <1% 70Hz - 22kHz <0.5% 80Hz - 20kHz Crossover Frequency 350Hz, 4kHz Max. Recommended Cable Impedance   0.1 oh

SONUS FABER  VENERE 2.0                                                                    Telefona/Email


SYSTEM 2 way standmount bookshelf vented box LOUDSPEAKERS Tw: High definition precoated fabric dome driver with no ferrofluid, Ř 29 mm Md: Free compression basket design and Curv cone, 1 x Ř 180 mm CROSSOVER 2.500Hz FREQUENCY RESPONSE 40 Hz – 30.000 Hz, tuning port included SENSITIVITY 88 dB SPL (2.83V/1M) NOMINAL IMPEDANCE 6 ohm SUGGESTED AMPLIFIER POWER OUTPUT 50W – 200W without clipping DIMENSIONS (HXWXD) 449 x 246 x 336 mm 17,7 x 9,7 x 13,2 in682 x 276 x 382 mm (optional dedicated stand) 26,8 x 10,8 x 15 in (optional dedicated stand) WEIGHT  31 Kg ea – net weight 68,3 Ib ea – net weight

jbl  L80T                                                                                Telefona/Email

Type: 3 way, 3 driver loudspeaker system MFrequency Response: 40Hz to 80kHz Recommended Amplifier: 150W (maximum) Crossover Frequency: 800, 4500Hz Impedance: 8Ω Sensitivity: 90dB Bass: 1 x 250mm aquaplas cone Midrange: 1 x 125mm cone Tweeter: 1 x 25mm titanium dome Finish: american walnut Dimensions: 850 x 355 x 305mm Weight: 23.5kg

INFINITY     DELTA 60                                                                Telefona/Email

sensitivity dB @ 1m/2.83V 90dB Impedance (ohms) 6Bass Driver 2 X 210mm Midrange Driver 110mm High Frequency Driver EMIT-R Power Rating 25 - 200 watts Frequency Response 30 - 35kHz Dimensions 1121mm x 384mm x 420mm deep  .Kg 26kg each

 

WILSON AUDIO   WATT PUPPY3                                                                                           €.  6.500,00

WATT 3: Two-way, stand-mounted loudspeaker with reflex bass loading (QB3, quasi third-order Butterworth alignment fitted with 1"-diameter, 1.75"-deep port suitable for amplifiers with damping factors (DF) of 100 to 400; alternative port supplied for amplifiers with DF between 20 and 80). Drive-units: 1" inverted-dome tweeter, 6.5" doped-pulp–cone midrange/woofer unit. Estimated crossover frequency: 3.7kHz. Frequency response: 58Hz–18kHz +1, –3dB. Nominal impedance: 4 ohms (measured minimum 1.7 ohms at 2.4kHz). Sensitivity: 91dBA/W/m. Amplifier requirements: 30W minimum. Subjective performance Q: 1 (–6gb points). Dimensions: 13.625" H by 11.1" (11.9" wood-paneled) W by 16.5" D. Enclosure volume: 12 liters. Weight: 120 lbs/pair (166 lbs shipping weight).Puppy: floorstanding subwoofer with integral high-pass crossover for WATT 2 and 3 and reflex bass loading. Drive-units: two 7.5" plastic-cone woofers. Estimated frequency response (–3dB) when driven by integral low-pass crossover: 30Hz–130Hz. Nominal impedance: 4 ohms.Dimensions: 24" H by 11.3" W by 16.5" D.

MARTIN LOGAN   SEQUEL II                                                              Telefonare/E-mail

Beyond our vigilant attention to aesthetic design. Beyond our unswerving commitment to technology that fills your home with harmonic purity, lies the concept of limitlesss horizons. Now you have the freedom to move from the ordinary to the sublime. The Sequel II is designed to reveal everything your present and future amplification systems can deliver. Pure sound that grows as you grow Sequel II Specifications Specifications are subject to change without notice Frequency Response 28–24,000 Hz ±2dB Recommended Amplifier Power 20‒400 watts per channelHorizontal Dispersion 30°Vertical Dispersion 48" (121.92cm) line source Sensitivity 89 dB/2.83 volts/meterImpedance Nominal: 6 Ohms Minimum: 2 Ohms. Compatible with 4, 6, or 8 Ohm rated amplifiers.Crossover Frequency250 Hz at 12dB per octave High Frequency Transducer 48" (121.92cm) CLS™ electrostatic transducer Low Frequency Transducer 10" (25.4cm) high excursion, high rigidity cone with extended throw drive assembly; sealed cabinet Components Custom-wound audio transformers polypropylene bypass capacitors, 100% oxygen free copper coils. Audio Controls Bass Control Switch: +2dB from 40-160 Hz Inputs 5-way bi-wire binding posts Weight 110 lbs. (50 kg) Dimensions 72" × 14" × 13" (182.9cm × 35.6cm × 33cm

CELESTION    DITTON 4                                                                                                                    €.   650,00

Tipologia di diffusore : sospensione a bass reflex posteriore.Numero delle vie : 3 con 4 altoparlanti. Altoparlanti istallati : 2 woofer da 21 Cm con sospensioni rovesciate in gomma, 1 midrange a cono da 11 Cm, 1 tweeter domme da 3,5 Cm. Frequenza di taglio del crossover : 530 e 3.800 Hz. Risposta in frequenza : 45 - 20.000 Hz. Potenza nominale (RMS) : 150 Watt.  Potenza di utilizzo consigliata : dai 10 ai 150 Watt RMS Impedenza nominale : 8 ohm. Sensibilitŕ : 92,5 dB.(1 watt/1 metro) Griglia : in tessuto nero asportabile.  Rifinitura del mobile : vinile noce. Dimensione (L x H x P) : 35 x 70 x 30,5 Cm. Peso : 16 Kg. (cadauna) IMBALLI

esb  75LM                                                                                                                                              €.   450,00

ESB 75LM tre vie, unitŕ medio alta regolabile, woofer da 25 cm potenza 100 watt, impedenza 8 ohms. altezza 60 cm larghezza 34 cm profonditŕ 28,5 cm

B&W   CDM7NT                                                                                                                                  €.  1.100,00

The Tallboy type speaker system of three ways.A 16.5cm paper Kevlar corn unit is adopted as low-pass. The mushroom type dust cap of a large caliber is the feature, it has the structure where a voice coil bobbin supports the back side of a dust cap directly, and a dynamic low-pass play is possible. The corn type unit of a 16.5cm Kevlar fiber is adopted as the inside region.The Kevlar corn unit is stopping the standing-wave generated on a corn, and has equipped the center part with the projectile type phasing plug. The metal dome tweeter of 2.5cm is carried in the high region.Radiation of an unnecessary sound from the back of a diaphragm is effectively absorbed by considering it as a tube loading tweeter.The enclosure has structure toward which the upper part inclined, raised the degree of exposure of the tweeter by this, and has obtained a spread and a feelingof opening of a better sound.There are many small hollows in bass-reflex port opening, and the same work as the surface of a golf ball is carried out.moreover, the surface -- the luck of native wood -- it is finished with the board. There are three kinds, a black ash, a red cherry, and a cherry.System 3 ways, 3 speaker bass-reflex system, and a floor typeUnit Low-pass: 16.5cm corn typeInside region: 16.5cm corn typeHigh region: 2.5cm dome shapePlay frequency band 30Hz - 30000Hz-6dBPlay frequency response 40Hz - 25000Hz, �}3dBNominal impedance 8ohms (a minimum of 4.6ohms)Sensitivity 90dB/2.83V/1mCrossover frequency 150Hz, 4000HzPower handling (conformity amplifier output) 50W-150W (8-ohm o'clock)Dimensions Width 220x height 950x depth of 290mm Weight 22.0kg

B&W   DM620                                                                                                                                    €.   690,00

 Floor standing, two way passive loudspeaker, designed for domestic hi-fi systems. Bi-wiring / bi-amplification facility. Drive units: One 200mm (8") bass/mid with rigid diecast chassis, reinforced polypropylene diaphragm and 31mm (˝") high temperature voice coil on Kapton former. One 26mm (1") high frequency with metal dome, high temperature voice coil and magnetic fluid cooling. One passive bass radiator with long throw capability. Frequency range: -6dB at 44Hz and 30kHz Frequency response: 58kHz - 20kHz (± 2dB) Reference Axis: Horizontal 605mm from bottom of cabinet. Dispersion: within ±2dB of response on reference axis 20Hz - 15kHz Horizontal over 40° arc, Vertical over 10° arc Sensitivity: 90dB (2.83V, 1 metre) Impedance: Nominal 8 Ohms Crossover frequency: 3kHz Internal volume: 30. litres Power handling: suitable for amplifiers 25 - 100 Watts Dimensions: 742 (H) x 236 (W) x 302 (D) mm Weight:: 14.2kg

INDIANA LINE ARBOUR 5.02                                                                                                             €.   280,00

Diffusore acustico da pavimento, con il mobile rifinito in vero legno, color ciliegio; il complesso magnetico di tutti gli altoparlanti č schermato, possono pertanto essere posizionati in prossimitŕ di televisori senza disturbare l'immagine o alterare i colori. ME' caratterizzato dal doppio accordo reflex, che gli consente la riproduzione di frequenze molte basse in relazione all'ingombro del box. TECHNICAL DATA: type: 3-way, double load bass reflex suggested amplifier: 30÷130 Watt impedance: 4÷8 Ohm sensitivity (2.83 V/1m): 91 dB frequency response: 36÷22000 Hz crossover frequency: 70 / 3100 Hz crossover slope: 12 / 12 / 12 dB/oct units: shielded magnet woofer diameter: 135 mm Mmidrange diameter: 135 mm tweeter dome diameter: 26 mm dimensions: 170 x 965 x 230 mm weight: 11.6 Kg design: real wood, cherry colour

INFINITY  RS 4000                                                                                                                            €.   450,00

:

SPECIFICATIONS INFINITY SYSTEMS INC., 250 Crossways Park Drive, Woodbury, New York 11797 REV A 7-98 Nominal Impedance: 6 ohms Power Rating: 25-125 watts RMS Sensitivity: 89dB @ 1 watt, 1 meter Crossover Frequencies: 800Hz and 3,500Hz Frequency Response: 45Hz-45kHz +/-3dB ACOUSTIC & ELECTRICAL SPECIFICATIONS: 1x - EMIT Tweeter 1x - 3.5" (6.5cm) Midrange m1x - 8" (20.3cm) Polypropylene Woofe Dimensions: 22.5"H x 12.5"W" x 10.25"D mPolypropylene  57cm(H) x 31.75cm(W) x 26cm(D)


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


McINTOSH C50  NUOVO IN  PROMOZIONE                                                                   Telefona/ invia un e-mail

  

Preamplificatore Analogico/Digitale di riferimento – sezioni audio analogiche e digitali (con relative alimentazioni) fisicamente separate all’interno del cabinet – Vu-Meter fluorescenti - 8 Ingressi analogici sbilanciati di cui due phono sia MM che MC con regolazioni accessibili da telecomando o pannello frontale – 2 ingressi bilanciati assegnabili – due ingressi digitali coassiali e due ottici (TosLink) – 1 ingreso USB – tutti gli ingressi digitali sono ricampionati a 32 Bit / 192 kHz ca un circuito jitter free – due set di uscite analogiche bilanciate e due sbilanciate – – equalizzatore a 8 bande escludibile - funzione pass-Thru controllata da Power Conrol – Firmware aggiornabile – porta RS232 bidirezionale – uscita cuffia – telecomando - dimensioni 194 x 445 x 452 mm (AxLxP) – peso Kg. 12,27

C50 is the first McIntosh preamplifier to combine stereo analog sources with four assignable digital inputs. Music stored on popular computer programs are available through dedicated USB input. Programmable Eight band tone controls allow for personalized audio shaping. C50 may be combined with a multi-channel sytem using the Home Theater Pass Through function.Features Output MetersNone Circuit DesignSemiconductor BalancedSingle Ended Front Panel StylingNew Chassis Cover PanelsInverted Stainless Steel Balanced Input2 Balanced Record Balanced Outputs1 Main & 2 Switched Input Sources8 Programable + USB + Processor Loop Optical Controlled, 213 Step, Volume AttenuatorYes; 2 Stage Precision Divider, + 0.05dB Blue Display for Vol & Input Select22 Character Alpha Numeric Input Level Match HT Pass-Thru MM PhonoYes, Adjustable Loading MC PhonoYes, Adjustable Impedance Dimensions H x W x D7 5/8” (19.37cm) x 17 1/2" (44.45cm) x 18” (45.72”) List. & Rec. SwitchingListen Only IR Remote Control Electromagnetic Input Switching All 1% Metal Film Resistors 0.5% Phono EQ Extra Wide Dynamic Range8VRMS Out; 16VRMS Balanced Pwr Amp or Acc "ON" Outputs2 Programmable Pwr Strip "ON" Out2 Equalizer8 Band Room, Programable by Input Processor LoopOne Soft Mute Ultra Low Distortion0.002 LightingLED Fiber Optic Gold Connectors Regulated Power Supply Data Output Ports Shielded Power TransformerR-Core Headphone OutYes, 1/4" Ext. IR Sensor Jack

JADIS   JPL                                                                                Telefona/ invia un e-mail

In its comparatively few years in the marketplace, the line-level preamplifier appears to have established commercial parity with its full-function big brother. That this was inevitable was clear as far back as the mid-'80s. The advent of the CD and the proliferation of digital sources argued for a modular approach to preamp design. In such an environment, line-level sources (eg, DAT, CD, even analog tape) deserve special attention.After a yearlong scrutiny of the state of the art of line-stage design, two underlying principles suggest themselves. First, the Gods, in having decreed that man shall labor long and hard in search of the perfect preamp, must surely be crazy. In the trek toward sonic perfection, mistakes are frequently made. The attempt to coax the signal from the program source and nurture it to its full musical potential is fraught with labor pains. Like the political process, the audio signal is subject to corruption. Small sins early in the chain may become capital offenses by the time they reach the loudspeakers. That there is only a handful of great-sounding preamps out there (line-level or otherwise) is evidence prima facie of the difficulty in caring for the audio signal at its formative stage. Aided by these few centurions of sonic truth, the music can bloom, filling the soundstage with the fire, drama, and power that only live music can communicate. Too often, however, the preamp sinks the ship, and the "illusion of live" descends from the realm of the plausible into the realm of yellow cling peaches. Most preamps can hope to simulate the flavor of a fresh peach only to the extent afforded by the canned variety. Second, I feel it essential for a preamp to incorporate the magic of the vacuum tube—especially where digital source material is concerned. In my experience, the ultimate sound of any CD player or digital processor is dependent upon the type of associated line-level stage. If you doubt this for even a moment, I invite you to audition the Theta DS Pre Generation III processor/preamp in my listening room. Through the DS Pre's own solid-state line-level stage, the sound quality deteriorates to the point that the bloom and dynamic breadth of the music are largely squashed. The resultant harmonic textures are convincingly solid-statish, the overall effect being to subdue the vital link between perception and belief. Route the DS Pre's analog output from Tape Out to a good all-tube preamp or even a good hybrid design, and the sound quality changes dramatically for the better. The illusion of a real musical event ebbing and flowing before my ears becomes enormously heightened. For whatever reason, it's clear (to me at least) that digital sources require a tube buffer prior to the power amp. This is yet another manifestation of "Futterman's First Law of Audio": Thou shalt use a vacuum tube as early in the amplification chain as possible. Description: Line-level preamplifier, with 4 general pairs of inputs, 1 CD pair of inputs, and 1 tape loop. Voltage gain: 35dB at 1kHz, for line-level inputs.  Dimensions: 17" (430mm) W by 7" (170mm) H by 11.8" (300mm) D. Weight: 29 lbs (13.2kg).

 

BK  PRO10MC                                                                                                                                   €.  800,00

Preamplificatore due telai made in USA (IMBALLO)

Description : The B&K PRO-10MC is sought after for it's solid Noble potentiometers, great phono stage(MM&MC) and straightforward design. The quality of the headphone section in the PRO-10MC is impressive which beats most "high-end" delicated headphone amplifiers. The B&K PRO-10MC is a "purist" version of the MC-101 which does not use any tone controls. This preamp comes with an outboard power supply to provide the cleanest possible power to unit. Its FET loading design maximizes linearity and minimize noise. Its wide bandwidth assures clear reproduction with all styles of music. Polyproylene film capacitors were used to produce a transparent sound with highly accurate musical timbre. Low noise 1% metal film resistors were used for better sound and greater degree of repeatability. The B&K PRO-10MC preamplifier was well reviewed years ago. It was a Stereophile Class C component, way back in the day. Though not a Class A amplifier, but it certainly made to the list of memorable gear. When played, the sound is clean, detailed and warm which is almost tube like.  Specifications : Moving Coil Sensitivity (at 1kHz).0.09 mVMoving Coil Overload (at 1kHz)17 mVMoving Coil Load ResistanceVariableMoving Coil Load CapacitanceVariable Moving Coil (S/N A Weighted)70 dBMoving Magnet Sensitivity (at 1kHz)0.8 mV Moving Magnet Overload (at 1kHz)225 mVMoving Magnet Load ResistanceVariable Moving Magnet Load Capacitance.Variable Moving Magnet (S/N A Weighted)82 dB THD0.02 % IM Distortion (SMPTE)0.02 % Frequency Response (± 1 dB)1 Hz - 150 kHz High Level Sensitivity45 mV Maximum Output14 V R.M.S. High Level (S/N A Weighted)89 dB Processor Loops 1 Dimensions(w x d x h) 43.5 x 27.5 x 9.5 cm (Main)  12 x 18.5 x 7 cm (Power Supply) Weight7 kg

   

NUFORCE   P8 (NUOVO EX DEMO)                                                                                                     €.    980,00

NuForce developed its prescient preamplifier technology from the ground up to reassess and redefine faithful music reproduction. The firstimpressions of listening to NuForce preamplifiersare those of pristine clarity, natural tonality,expansive imaging, and realistic proportions of themusicians and their instruments. Bass notes arewell defined and articulate, with addictive rhythmand drive. P-8 is NuForce's entry level high-endpre-amplifier.Specifications• Audio inputs: 3 sets of RCA inputs and a 3.5mm stereo input jack(for digital media player, PC sound devices).• Audio outputs: 1 set of RCA,1 set of balanced XLR,and a 3.5mm stereo headphone output withcross-feeding to create a natural soundstage.• Remote input selection and volume control with memory (last selection,volume level)• Mute and Sleep functions• Digitally-controlled switched attenuator. Volume Range: +30dB to –70dBwith 0.5dB steps• Dynamic Range: > 100dB• Input Impedance: 4K ohm• Output Impedance: 40 ohm• THD+N at 1kHz: <0.01%, typically 0.003-0.005%• S/N Ratio: > 85dB• Frequency Response:at 20-20kHz = +0dB/-0.2dBat 20-170kHz = +0db/-3dB• Maximum output : 8V RMS• Crosstalk: –130dBFS• Dimensions: 1.75”H x 8.5”W x 16”D• Weight: 6 lbs• 100W SMPS with PFC (Power Factor Correction)• Power Requirements: 90-240VAC, auto select.

 

   

PRIMARE   PRE 30                                                                                                                    €.  990,00

Preamplificatore hi-fi. Circuitazione dual mono. Componentistica selezionata. 7 ingressi (5 RCA e 2 XLR) e 3 uscite (2 RCA e 1 XLR). Preamplificatore PRE30 Ingressi analogici: 2XLR bilanciati, 5RCA Uscite analogiche: 1XLR bilanciato, 1RCA Uscite per registratore: 1RCA Livello ingresso XLR: 560mVrms Livello ingresso RCA: 280mVrms Altre uscite: Trigger out Guadagno: 16 dB Risposta in Frequenza: da DC a 100kHz +1dB Distorsione THD: <0,01% Rapporto S/N: 118 dB Alimentazione: 100/115/230V Dimensioni: 430x100x385mm (LxAxP) Peso: 9,5 kg  (IMBALLO)

   

THRESHOLD  FET 9/E                                                                                                                 €. 1.250,00

Pre stereo in classe A -Risposta in  frequenza: 1.5-125.000-distorsione armonica:0,02% a 3v di uscita-distorsione diintermodulazione:0,02% a 3v di uscita -Sens/imp. ingressi aux-linea:25.000 ohm+20db-RAPPORTO S/N:-80dB a 1mv ingresso,-100dBingressi basso guadagno-Dimensioni 48x8x16.5cm -Peso 2kg -note: alimentazione separata compresa



    

THRESHOLD T ZERO (NUOVO)                                                                                                   €. 2.500,00

Pre stereo in classe A (IMBALLO)

Stereo High Level Preamplifier (FET-9e with Balanced Output)

 

 

BRYSTO BP26                                                                                                      Telefona/ invia un e-mail

Preamplificatore linea con alimentazione MPS-2  IMBALLI  ORIGINA

 

quad   PRE 44                                                                                                                         €.    550,00

 preamplificatore   quad  44  + finale  606    950,00  euro

The Quad 44 Pre Amplifier was the bigger brother of the Quad 34 Pre Amplifier and had the addition of an extra input over the Quad 34's four inputs. Ideally partnered with the Quad 405 and Quad 405-2 amplifiers although it is more than happy with any power amplifier, the Quad 44 Pre Amplifier has some nice features to it and clever electronics especially if your main source is vinyl. The Quad 44 Pre Amplifier has three tone filters, bass, tilt and a high pass filter which allow you to maximise the music from very old or poor recordings by removing a lot of distortion. The Quad 44 Pre Amplifier also is one of the very few home audio pre amplifiers that can cope with high output professional equipment and as well as having swappable modules for disc, radio, cd and tape, Quad were also able to supply a microphone pre-amp card as well meaning this amplifier was well suited to home recording as well as studio recording. These days people who mainly listen to CD will have dispensed with the Quad 44 Pre Amplifier because the sound quality can be bettered with more modern equipment. Some people have had success upgrading the capacitors in the Quad 44 Pre Amplifier with Black Gate or Elna types and replacing the Op Amps with superior Burr Brown types. No matter the Quad 44 Pre Amplifier is still a popular piece of equipment and given its value second hand is worth considering if you have a lot of old recordings in your collection. Quad 44 Pre Amplifier Specification Line Source Frequency Response : 30 Hz - 20 kHz (+/- 1db) Disc RIAA Frequency Response : 30 Hz - 20 kHz (+/- 0.5db) Distortion: < 0.05% Input Impedence: Variable according to modules (Radio & Tape typically 100mV) Interchannel Balance: +/- 0.5 db Crosstalk: > 70db Power consumption: 7 Watts Mains voltage : 110-120V or 220-240V (interchangeable on PCB) Dimensions (WxDxH) : 321 x 103 x 207 (mm) Weight: 4 kg

PROTON    PRE 1100                                                                                        Telefona/ invia un e-mail             

 

quad   PRE                                                                                                                                             €.    350,00

NAD  PRE 114                                                                                                                              €.    400,00

6 line inputs incl. 2 Tape in/outputs with dubbing facility •Switchable MM and MC phono input •2 line outputs•Gold plated phono and CD input sockets•Gold plated output sockets•Independent headphone amplifier •Tone defeat switch Based upon the highly praised NAD106, the model 114 is the latest in the range of NAD high quality /low price pre-amplifiers.Following in NAD's usual design brief of ‘sound quality first’ť the 114 utilises reliable, uncomplicated circuit topology which allows for investment in high specification, close tolerance components such as a large, low noise transformer, metal film resistors, polypropylene capacitors and a precision volume control.  A carefully re-designed PCB layout contributes further to a noise and distortion free performance. The input selectors are operated by push rods and are located as closely as possible to the input sockets to minimise cross talk. Also featuring Gold plated RCA jacks (to give reliable signal transfer), and two tape loops to offer flexibility for tape dubbing in either direction (or the inclusion of a signal processor). Any input may be monitored whilst recording. A gold plated 1/4’ť jack socket permits most non-electrostatic headphones to be connected to the dedicated headphone amplifier.  Still in demand by music lovers (but often disregarded by other manufacturers) is a good quality phono stage. The phono stage in the 114 is a fine example of what can be achieved at a reasonable price. The phono stage is switchable to allow moving coil or moving magnet cartridges to be used. Metal film resistors, polypropylene capacitors and seven discrete transistors provide extremely low noise performance, precise equalisation and a dynamic range of 105dB.

 

NAD  PRE 1000s                                                                                          €.    980,00

 

Behind its elegant and uncluttered front panel, the circuitry in the NAD 1000 provides performanceequal to pre-amplifiers costing up to twice the price, The 1000 incorporates inputs for CD, tuner tape and video, plus separate phono pre-amp circuitry, using discrete transistors in an optimised circuit. The ‘Tone Defeat’ button provides a ‘straight through’ signal path, by-passing the tone control circuits. NAD’s resourceful engineering has resulted in a high performance control unit for use with single or multiple power amplifiers (bi-amping) and active loudspeakers PRE-AMP SECTION Phono input Input impedance (R and C) 47kΩ / 200pF Input sensitivity, 1kHz MM 1.25mV ref. 0.5V MC 0.08mV Input overload at 20Hz / 1kHz / 20kHz 20 / 200 / 1700mV Signal/Noise ratio (A-weighted with cartridge connected) MM 76dB ref. 5mV MC 76dB ref. 0.5mV THD (20Hz - 20kHz) <0.2% RIAA response accuracy MM ±0.2dB (20Hz - 20kHz) MC ±0.2dB (50Hz - 20kHz) Line level inputs Input impedance (R and C) 20kΩ / 450pF Input sensitivity ref. 0.5V 80mV Maximum input signal >10V Signal/Noise ratio (A-weighted ref 0.5V) 98dB Frequency response ±0.2dB THD 0.01% Line level outputs Output impedance Pre-amp 220Ω Tape Source Z + 2kΩ Phones 120Ω Maximum output level Pre-amp >12V Tape >10V Phones >8V into 600Ω >250mV into 8Ω Tone controls Treble ±7dB at 10kHz Bass ±10dB at 50Hz Remote No NAD Link No PHYSICAL SPECIFICATIONS Dimensions (W x H x D) 435 x 81 x 263mm Net weight 3.7kg Shipping weight 4.4kg Power consumption (120 ~ 240V, 50/60Hz) 20W

 

 

SANSUI    CAF 1                                                                                                 Telefona/ invia un e-mail      

Preamplifier The spec sheet reads like an engineer’s dream. Frequencyresponse is 5 to 600kHz! THD and 8/ N are better than 0.005% and 90dBrespectively. But while these steady-state specs are remarkable-in them- selves, the transient response of the Sansui CA-Ft is even more impressive. As in our newest DC power amps, we’ve concentrated on improving slew rate, lowering TIM and envelope distortion, and providing the closest thing possible to “real—time” rise/fall characteristics so that pulsive musical signals are reproduced with more natural sound quality. Achieving all this without sacrificing the steady—state specs is a significant triumph in audio engineering for Sansui, and is the result of our “StraightDC” design in which major circuit blocks are DC. The CA—F1 features the Sansui-exclusive “Diamond Differ- ential DC” circuit ( DD/ DC) for its phono equalizer. As you’d expect in a pre— amplifier of this quality, in spite of its moderate price, there is also a built-in MC head amplifier (or “Dre-preamp”) for Moving Coil cartridges. And there’s a lot more.

 

TECHNICS   A800 MKII                                                                                                               €.    650,00    

Power output: 55 watts per channel into 8Ω (stereo) Frequency response: 5Hz to 70kHz Total harmonic distortion: 0.01% Damping factor: 70  Input sensitivity: 1V Signal to noise ratio: 110dB Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 136 x 348mm  Weight: 8.7kg

 


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

JEFF ROWLAND MODEL 9                                                          Telefona/ invia un e-mail

 

Reference poweramps and natural partners at the time for the Coherence II consisting of two huge boxes per channel. There were a few versions, one important difference being that the 9 could be ordered as an AC or DC version, meaning normal AC operation or power via a BPS (Battery Power Supply). Per channel, one box is the amp itself, the other is either the combination of BPS and switched power supply or only the massive transformers of a linear power supply. These big boxes deliver ample power but perhaps not as much as one might think judged by their imposing looks: 350 watts per channel. This seems lowish compared to big Brystons but Rowland watts are much like tube watts: there’s always much more power than you’d think! The original 9’s are super-stable and can drive virtually any loudspeaker. They draw a lot of current from the wall outlet though: 500 watts idle (switched on but not playing music) and 1200 watts maximum. That’s per channel! Even though these amps reportedly sounded amazing; both delicate and refined as well as powerful and colourful, there seemed to be a problem with (a part of) the 9ti switched power supply. This supply has some parts in common with the model 10 that I owned and besides my own model 10’s power supply problems, I’ve heard of and read about a few other occasions where (part of) the switched power supply broke down. I think there may have been a reliability issue in a batch of parts of the power supply but this is not confirmed. Nevertheless, sonically these amps are supposed to be amongst the very best available. A long time user recently reported that his model 9ti HC’s have been working utterly reliably. He has never had a problem. So much as is the case with the Model 10’s, there are some samples that are problematic but when your sample is working just fine it need never break down. Model 9 Technical Specifications The specs below refer to the latest iteration of the product, not HC version OUTPUT POWER CONTINUOUS RMS WATTS @ 8 OHMS 350 WATTS @ 4 OHMS 700 WATTS BANDWIDTH 0.1 Hz to 160 kHz, -3 dB SLEW RATE 30 volts per microsecond THD AND NOISE less than 0.06% at rated power DAMPING FACTOR greater than 300, 20 Hz to 20 kHz, 8 ohms OUTPUT CURRENT 70 amps continuous, 140 amps peak OVERALL GAIN & SENSITIVITY (1 WATT, 8 OHMS) user selectable on back panel 26 dB or 32 dB; 141 mV or 71 mV INPUT IMPEDANCE BALANCED 36k or 600 ohms UNBALANCED 36k or 600 ohms user selectable on back panel COMMON MODE REJECTION RATIO greater than 60 dB, 20 Hz to 20 kHz ABSOLUTE PHASE user selectable on back panel normal or phase-inverted  INPUT MUTE user selectable on back panel POWER CONSUMPTION (PER CHANNEL) 50 watts standby; 500 watts operating, idle; 1200 watts maximum INPUTS BALANCED/UNBALANCED user selectable on back panel 2 per channel (XLR) 2 per channel (RCA) OUTPUTS 2 pair binding posts per channel DIMENSIONS POWER SUPPLY 17.5 in (W) x 22.0 in (D) x 11.4 in (H) 44.5 cm (W) x 56.0 cm (D) x 28.5 cm (H) AMPLIFIER 17.5 in (W) x 22.0 in (D) x 11.4 in (H) 44.5 cm (W) x 56.0 cm (D) x 28.5 cm (H) WEIGHT (PER CHANNEL) POWER SUPPLY 128 lbs. (58 Kg)AMPLIFIER 92 lbs. (42 Kg)

 

BRYSTON          2BSST                                                                                                                                           Telefona   

Finale stereofonico, 2x100Wrms/8ohm, 2x200Wrms/4ohm   IMBALLI  PARI AL NUOVO

The 2B SST sits relatively low in a range that extends all the way up to the massive 28B SST monoblocs, which can pump out 1kW of power without breaking a sweat.But while it is a junior model, it's no lightweight: it tips the scales at well over 12kg, and is capable of delivering 100w per channel into an 8ohm load, or 180w into 4 ohm speakers.And that's not the end of the story: upgrade your system with the addition of another 2B SST and, at the flick of a bridging switch, the amp becomes a 350w monobloc, with some serious stump-pulling power.So it's a chunky hunk of Canadian-made metal, with the solidity of the build backed up with a 20-year warranty. And under the skin there's a hefty twin-transformer power supply, output devices specifically developed for the SST series and computer-modelled heatsinks to keep the whole plot on the island even when your driving your speakers hard. The 2B SST sounds effortlessly huge There are selectable RCA phono and XLR inputs, 12V trigger switching for remote start-up/standby, and a choice of silver or black finishes plus Bryston's usual 17in (43.2cm) and 19in (48.2cm) faceplate options. In use, the 2B SST sounds effortlessly huge: it combines refinement, transparency and punch in a way that eludes all but the very best. Carl Orff's Carmina Burana is delivered with immense scale and dynamic reach, with each instrumental strand easy to follow no matter how complex the piece gets. In addition, there's a lovely openness to the presentation that makes speakers like our ATC SCM 50s disappear. Move to the White Stripes, and the Bryston delivers rock solid bass, crisp timing and a truckful of detail. This is a must-hear amp, and a fine partner for Bryston's preamps.https://www.whathifi.com/bryston/2b-sst/review 2Bsst SPECIFICATIONS: Power Output: 100 watts per channel into 8 ohms Input Impedance: 10K ohms single ended (unbalanced) 15K ohms double ended (balanced) Sensitivity: 2v setting 2 Volts in = 100 Watts into 8 ohms - gain 23 dB 1v setting 1 Volt in = 100 Watts into 8 ohms - gain 29 dB Distortion: THD+noise: < 0.010% 20Hz to 20kHz at 100 watts into 8 ohms, IMD: < 0.010% 60Hz + 7KHz mixed 4:1 Noise: Measured with input shorted - 20Hz to 20kHz. >108dB below rated output (with 20Hz to 22KHz bandpass filter) Slew Rate: >60 volts per microsecond Power Bandwidth: <1 Hz to over 100 kHz Damping Factor: Over 500 at 20 Hz, ref. 8 ohms Power consumption: idle 30va, maximum power 600va Heat load: idle 100 btu/hr., max power 288 btu/hr Dimensions: Regular model: Front Panel: 17.2” x 4” Body: 16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and protrusion of rear panel connectors) PRO model: Front Panel: 19” x 3.5” (2 rack units) Body: 16.9” wide X 3.5” high X 15.1” deep (depth includes front panel and protrusion of rear panel connectors) Weight: approx. 28 lbs (12.7kg.)

     

 

JEFF ROLAND      MODEL 112                                                                                    Telefona/ invia un e-mail

jeff Rowland | Model 112  Amplificatori Finali Stereo Serie Amplifiers   Finale di potenza stereo da 150 W + 150W RMS su 8 ohm (250 W RMS/4 ohm). Ingressi sbilanciati e bilanciati, guadagno selezionabile, chassis interamente in alluminio.

Description Internally, the Model 112 uses an ultra-fast, integrated circuit input/output topology that couples unquestioned reliability with unparalleled sonic performance. Specifications Power output: 150 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.008% Damping factor: 60 Gain: 32 dB Dimensions: 445 x 335 x 145mm Weight: 24.5kg

           

JEFF ROLAND      MODEL 201   COPPIA                                                      Telefona/ invia un e-mail   



Finale di potenza mono da 250W RMS su 8 ohm, 500W RMS su 4 ohm, 1 Ingresso bilanciato o sbilanciato tramite adattatore opzionale, 1 uscita. Costruzione interna ad "H" non-risonante.


J
eff Rowland imaging, staging, and musicality in a beautifully crafted monoblock chassis capable of capturing the often elusive music and theater experience with grace and authority. Model 201 delivers a compelling musical experience with a linear frequency extension that ranges from a deep pitched bass to a textured treble, with rippling harmonics and nuanced low level resolution. This work of art, in both sight and sound, is a true Rowland.Housed in an elegant and compact chassis milled from aircraft-grade Aluminum ingots, the Model 201 monoblock power amplifier has been created to exacting JRDG artistic and engineering standards. The advanced green technology that delivers its refined performance, make the Model 201 monoblock power amplifier ideal for the most sophisticated stereo and multi-channel audio systems at a real world price. Output Power Continuous RMS @ 8 ohms - 250 watts / @ 4 ohms - 500 watts Frequency Response 5 Hz - 70kHz, 3dB Peak Output Current > 35 amps Dynamic Range 117 dba Load Impedance Range 2 ohms - 16 ohms THD + Noise 0.1W-500W/4 ohm <.05%, typically .006 @ 1kHz CCIF Intermod. Dist., 19/20kHz <.002% Damping Factor @ 1 kHz 1000 Overall Gain Selectable Internal Jumper, 26 or 32 dB Input Impedance 40k Ohms Common Mode Rejection Ratio >90dB, 20 Hz 20 kHz Absolute Phase Non-inverting, Pin 2 Positive Inputs 1 x Balanced XLR (Unbalanced operation requires an optional XLR to RCA adapter) Outputs 1 Pair CE-Approved Binding Posts Power Consumption Idle - 9 watts Maximum - 650 watts Amplifier Weight 13 lbs/6 kg. Amplifier Dimensions 2.6" x 8.4" x 11.5"

 

MARK LEVINSON      N°336                                                                    Telefona/ invia un e-mail 

 

 Mark Levinson N°336 Dual Monaural Power Amplifier, Madrigal Audio Laboratories, Designer: Madrigal design team. Power rating: 350 watts @8 ohms; 1400 watts @2 ohms. Frequency response: 20 to 20,000 Hz ± 0.1 dB. Damping factor: >800 (20-20,000 Hz @8 ohms). Input impedance: 100 K (balanced), 50 K (single-ended). Input sensitivity: 2.42 V. Output impedance: <0.05 ohms (20- 20,000 Hz @8 ohms). Connections: four custom binding posts per channel for biaming; one 3-pin XLR balanced connector/channel; one RCA input connector/channel. two-4 inch mini-jacks for remote turn-on; two Mark Levinson communication ports; two PHAST communication ports. Non-detachable AC cord. Dimensions: 171⁄2" x 9" x 19" (w x h x d). Shipping weight: 150 lbs

MARK LEVINSON      N°333                                                                    Telefona/ invia un e-mail 

 

 

MARK LEVINSON Nş333 Rated power output: 300 w/ch continuous rms power @ 8Ω 600 w/ch continuous rms power @ 4Ω 1200 w/ch continuous rms power @ 2Ω all above power ratings from 20 Hz–20kHz at <0.5% THD _ Frequency response: within 0.1 dB from 20 Hz to 20 kHz _ Signal to Noise ratio (main outputs): better than –80 dB (ref. 1 w) _ Input impedance: 100kΩ (balanced) 50kΩ (single-ended) _ Voltage gain: 26.8 dB _ Input sensitivity (2.83V output): 130 mV (all models) _ Input sensitivity (full output): 2.25V for Nş333 1.80V for Nş332 1.30V for Nş331 _ Power consumption (Nş333): 350W (±5%) at idle, 200W (±5%) in standby _ Mains voltage: determined by the needs of country for which the unit was manufactured; cannot be reset by dealer or user _ Overall dimensions: See “Dimensions” _ Nş333 Shipping weight: 150 lbs. (68.2kg) each _ Connector complement: four custom binding posts per channel one 3-pin XLR balanced input connector per channel one RCA input connector per channel two 1⁄8" mini-jacks for remote turn-on two Mark Levinson communications ports one captive high current AC mains cord (Nş333 only), or one IEC-standard high current AC receptacle (Nş332, Nş331) _ Output impedance: less than 0.05Ω from 20–20,000 Hz _ Damping factor: greater than 800, 20–20,000 Hz @ 8Ω peso: 70kg
 

MARK LEVINSON      N°436                                                                    Telefona/ invia un e-mail 

 

 

Description: Solid-state monoblock power amplifier with one pair Madrigal speaker binding posts, one 3-pin XLR balanced input, two 1/8" minijacks for remote turn-on, one RS-232 port on RJ-11, two Mark Levinson communication ports on RJ-45, and two PHAST communications ports on RJ-45. Rated power output (20Hz-20kHz, <0.3%. THD, FTC): 350Wpc into 8 ohms (25.4dBW), 700W minimum continuous into 4 ohms (25.4dBW), 1400W minimum continuous RMS power at 2 ohms (25.4dBW). Frequency response: 20Hz-20kHz, ±0.2dB. Output impedance: ±0.05 ohm, 20Hz-20kHz. S/N Ratio: better than -89dB (ref. 2.83V). Damping factor: >800, 20Hz-20kHz into 8 ohms. Power consumption: 100W in standby, 180W at idle. Current draw at rated output at 120V: 8.5A (350W into 8 ohms), 14.6A (700W into 4 ohms), 25.6A (1400W into 2 ohms). Dimensions: 17.75" (455mm) W by 7.65" (194mm) H by 20.2" (518mm) D. Weight: 85 lbs (38.6kg) net, 95 lbs (43.2kg) shipping. serial number :1028

 

      

YARLAND              FVB34B                                                                                                                               €.    700,00

Specifiche tecniche Valvole di potenza: 4 x EL34, KT66 o KT77 Valvole driver: 2 x 6N3 o JAN5670W  Valvola preamplificarice: 1 x 12AX7 o ECC83 Banda passante: 20 ÷ 20.000 Hz +/– 1dB e 12 ÷ 45.000 Hz +/– 2dB Potenza: 36 + 36 W RMS - 1% distorsione (IMBALLO)

 

CROWN  XLS 1000                                                                                 Telefona/ invia un e-mail                                      

 

Crown's XLS Series amplifiers define the standard for portable PA systems with unmatched performance, technology and affordability. Its advantageous flexibility includes multiple inputs so you can plug in anything and play anywhere, along with several system setup configurations. The integrated crossovers and switch-mode power supply produce superior sound, and Peakx™ limiters protect your speakers. Weighing less than 12 pounds, compared to 40 pounds for its competitors, it's much easier to set up and move from show to show. Simply put, the XLS is most reliable, versatile, efficient amp available today.Two-channel, 350W @ 4Ω Power Amplifier.Specifications Sensitivity 1.4Vrms (for full rated power at 4 ohms) Frequency Response (at 1W, 20 Hz - 20 kHz) + 0 dB, -1 dB Signal To Noise Ratio (A-weighted) >97 dB (rated as dBr to full rated 8 ohm power output) THD > 0.5% Intermodulation Distortion (60 Hz and 7 kHz at 4:1, from full rated output to -30 dB) <0.3% Damping Factor (8 ohms, 10 Hz to 400 Hz) >200 Crosstalk (below rated power) 20 Hz to 1 kHz >85 dB, >55 dB Input Impedance (nominal) 20k ohms balanced, 10k ohms unbalanced Load Impedance 2 to 8 ohms per channel in Stereo, 4 to 8 ohms in Bridge Mono AC Line Voltage and Frequency Configurations Available (+/- 10%) 120VAC 60 Hz, 100 VAC 50/60 Hz, 220 and 240VAC 50 Hz Dimensions 19" x 3.5" x 7.7" (48.3cm x 8.9cm x 19.6cm) Weight 8.6 lbs (3.9 kg) Shipping Weight 13.6 lbs (6.2 kg) IEC Power Connector 15A

 

 

 

 

 

 

HARMAN HK775

(IMBALLO)


Power output: 130W into 8Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 100 Input sensitivity: 1.2V Signal to noise ratio: 123dB Dimensions: 385 x 72.5 x 320mm Weight: 10.1kg

 

 

 

SANSUI BAF 1                                                                                   Telefona/ invia un e-mail

 

Specifications  Power output: 110 watts per channel into 8Ω (stereo) Frequency response: 1Hz to 600kHz Total harmonic distortion: 0.008% Damping factor: 100 Input sensitivity: 1V Signal to noise ratio: 125dB Speaker load impedance: 8Ω (minimum) Dimensions: 430 x 187 x 430mm Weight: 20.4kg

 

 

 

denon POA-T3                                                                                                           Telefona/ invia un e-mail  

(IMBALLO)

Specifications: 120 Watt per channel into 8 Ohms RMS;  0.008% THD at rated output;  FR. 1 Hz - 100 KHz +0dB -3 dB;  Input sensitivity 1.1V;  Input Impedance 47 KOhms;  Signal to noise ratio 110 dB;  Power requirements 220 - 230 V 50 Hz;  Please note the voltage is for UK / EU Only.  Weight - 12.3 kg.

 

 

AERON          A07             

 

Con i suoi sette canali da 120 watt rms, l'A-07 č uno degli amplificatori piů potenti oggi disponibili. Il progetto č stato elaborato per dar vita ad un apparecchio prestigioso, inappuntabile sotto il profilo qualitativo e stupefacente come potenza pura. La sua massa di ben 28kg toglie ogni eventuale dubbio sul dimensionamento elettro-meccanico, garante dell'affidabilitŕ e della tenuta in potenza a lungo termine. Partner naturale del pre/decoder AV-1003, quest'apparecchio (robusto meccanicamente ed elettronicamente, ma delicato musicalmente) č l'amplificatore ideale per i sistemi home cinema che richiedano sette canali, elevate potenze e prestazioni "audiophile Dati tecnici Power output 7 x 100W rms / 8 ohm Power output 7 x 160W rms / 4 ohm All power figures at 20Hz-20kHz, 0,1% THDSensitivity 1V / 47k ohms Frequency response 20Hz-20kHz +/- 0.5dB Signal to noise ratio >95dB at 100W (A weighted) Harmonic distortion <0.1% from 20Hz to 20kHz, 1 to 100 watts Intermodulation distortion <0.2% (IHF A) Power supply 230V, 50/60Hz Absorption 1100 VA Dimension (WxHxD) 430 x 200 x 460 mm Finish Silver Weight 23 kg

 

 

YAMAHA            A-100                                                                                                        €.    250,00

 

Specifications Power output: 50 watts per channel into 8Ω (stereo), 100W into 16Ω (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.2% Damping factor: 70 Gain: 38.2 dB Input sensitivity: 0.245V Signal to noise ratio: 105dB Speaker load impedance: 8Ω to 16Ω Dimensions: 220 x 96 x 296mm Weight: 4.6kg

 

 

denon           POA- F100                                                                                            €.    250,00

 

Amplificatore finale di potenza a 3 canali. 25 W x 3 canali su 8 ohm (canale centrale e canali surround). Ideale in abbinamento al AVRF100 per creare un sistema multicanale A/V.Stadi finali separati a componenti discreti. Accensione e spegnimento controllati dal telecomando in dotazione all'AVR-F100.

Denon-Design-Endstufe POA-100 Dreikanal.Äußerlich sehr gut erhalten. Technisch i.O. Aus Ausstellung gekauft und von mir seither fast unbenutzt. Reduziere jetzt meine Sammlung. Design: silber. Leistungseigenschaften: - Anzahl der Signal-Kanäle: 3 - Mitte:25 W Sinusleistung - Hinten:25 W Sinusleistung, pro Kanal - Sinusleistung (Mitte) gemessen an 6 Ohm - Sinusleistung (Hinten) gemessen an 6 Ohm - Frequenzgang-Untergrenze, Line: 20 Hz - Frequenzgang-Obergrenze, Line: 50000 Hz - bei max. Abweichung, Line von + 1 dB - bei max. Abweichung, Line von - 3 dB - Eingangsempfindl., normal/direkt: 0,435 V - Eingangsimpedanz: 47 KOhm Geräuschspannungsabstand: 90 dB.Anschlüsse: - Cinch-IN, gesamt: 3. Konstruktionsmerkmale:diskreterVerstärkeraufbau.Leistungsaufnahme/Spannungsversorgung: - Leistungsaufnahme, Betrieb: 72 W.GehäuseEigenschaften: - Breite: 27 cm - Höhe: 8,4 cm - Tiefe: 25 cm- Gewicht: 3,9 kg.

 

LIIN             LK85                                                                                                              €.    700,00

  

 

 

TECHNICS             A800 MKII                                                                                          €.    700,00

 


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NAD M3                                                                                                                    €.  1.550,00

ANALOG SOUND, DIGITAL CONTROL The M3 is NAD’s concept of the ideal musical companion, capable of transporting the listener to that place where the music simply exists in its own perfect space. For this task we have pushed classical analog circuit design to unprecedented levels of performance. The total lack of audible Mnoise and distortion is the result of some very sophisticated analog engineering, and rather surprisingly, the use of digital control. Freed of the constraints of traditional analog switches, NAD’s Director of Advanced Development, Bjorn Erik Edvardsen devised an architecture Musing precision 1% resistors controlled by digital switches for all the MMlevel adjustments required for volume control, balance control and tone control. (Yes we still believe in tone controls – more on that later.) Input Mselection is via precision sealed reed relays. A major advantage of this architecture, in addition to its extremely precise performance, is the ability to place controls in the most advantageous physical position within the circuit. The signal never has to travel to the front panel for switching, as with traditional amplifier designs. Getting to the infinitesimal levels of noise and distortion of the M3 requires very careful circuit layout, as only tiny changes in the signal path can have large effects on performance. Keeping signal paths as short as possible is also greatly aided by the use of SMD (miniature surface mount) components and multi-layer PCBs (circuit boards). LUXURIOUS STYLING AND INTELLIGENT CONTROL The design brief reads: “The industrial design must create a physical  presence that is powerful, dynamic, and solid, yet refined and elegant”. We wanted a design that will still look fresh and new a decade from now, a design with classic proportions and understated details. We also wanted an amplifier that was not only easy to operate, but also very flexible and complete in its control options. Unlike many high performance amplifiers, the M3 includes a full suite of convenience features. Speaker switching for two pairs of speakers and very flexible tone controls are provided, as is a Zone 2 output with its own independent set of commands and dedicated ZR 3 remote control. Front panel controls use a multi-function knob and buttons to quickly navigate all amplifier functions. All operating conditions are clearly displayed on a 2 line dot matrix VFD display. Direct access is available to many functions via the SRM 3 remote handset. The SRM 3 handset also features basic controls for the matching NAD DVD/SACD player. 180 watts X 2, 10Hz – 20kHz, with <0.03% THD, both channels driven into 8 or 4 Ohms - Dynamic power of 280 watts at 8 Ohms, 480 watts at 4 Ohms, and 785 watts at 2 Ohms - PowerDrive™ - Dual stage high current/high voltage power Msupply - Dual Mono topology - Twin NAD Custom-Made “Holmgren” Toroidal transformer - Ultra precise multi-stage electronic volume control using discreet resistors - 7 inputs, including 1 balanced XLR - Tape/Zone 2 output (independent source selection, no volume control) - Speakers A + B with custom 5 way binding posts - Biamp mode with selectable 40, 60, 80, 100 Hz crossover frequency on Pre Out 1 - Powered subwoofer - Main Amp input - Remote Bass and Treble controls with Spectral Tilt option M- Remote Balance control with 0.5 dB steps - Selectable Mono, Left, Right, and Stereo options - RS-232 interface for advanced custom installations - 12V Trigger for advanced control options, 1 Out - 3.5mm IR Control jacks, 1 In and 2 Out M- Detachable AC cord - M3 System Remote Control - ZR 3 second zone remote

 

       

 

 

MUSICAL FIDELITY A308                                                                                                                                             Telefona

Output: Voltage RMS: 35 Volts 20Hz to 20kHz Peak: 99 Volts Power: 150 Watts per channel into 8 Ohms (21.8dBW), 300 Watts per channel into 4 Ohms Peak-to-peak output current: 48 Amps Damping factor: 140 Output devices per channel: 4 Pre-output impedance: 50 Ohms Line inputs: Total harmonic distortion + noise, 20Hz to 20kHz < 0.008% Signal / noise ratio > 100dB ‘A’-weighted Input sensitivity for 150 Watts into 8 Ohms 270mV Input impedance 220k Ohms Overload margin 26dB Channel separation > 70dB 20Hz to 20kHz Frequency response 20Hz to 20kHz, +0, -0.2dB Auxilliary 2 (Home Theatre Direct) input: Input sensitivity 30dB gain (31.5 times) nominal Phono input: Frequency response reference IEC RIAA - see graph.... Signal / noise ratio > 96dB Moving Magnet ‘A’-weighted > 89dB Moving Coil ‘A’-weighted Input sensitivity 2.5mV Moving Magnet 350µV Moving Coil Input impedance 47k Ohms Overload margin 24dB Inputs: 4 pairs line level RCA connectors, 1 pair (Aux 2) direct power amplifier input RCA connectors, 1 pair phono (MC or MM, switchable) RCA connectors Outputs: 2 amplifier channels via 2 pairs per channel binding posts. 1 pair RCA audio outputs controlled by the volume, 1 pair RCA tape record fixed line level output. Power requirement: 100 / 115 / 230Volts AC 50 / 60Hz (factory pre-set), 550 Watts maximum into 8 Ohms 39 Watts idle Weight: 20.5 kg, 45.5 lbs unit only, unboxed Dimensions: 440 mm, 17.3 inches wide 23.5 kg, 48.5 lbs in shipping carton 143 mm, 5.6 inches high including feet 420 mm, 16.5 inches deep including terminals

 

               

 

TECHNICS  SU-MA 10                                                                                                                                    €.    850,00

Massive integrated audio amplifier with built-in 1-bit MASH digirtal stages and monitoring loop - plus bombastic reservoirs of caps, heatsinks and transformers. Each X-Pro capacitor is in fact two-in-one: one for positive phase and one for negative. Besides this, these beer cans are copper topped and plotted into composite materials for less vibrations and even less magnetic leakage. The two 300VA transformers are of the EI kind and wound with OFC copper. The dual-mono structure is followed through the back with the input terminals centered vertically and the output posts being, previsibly, spread over the left and right sections.The MASH d/a section, running the entire depth near the bottom plate, is typical of MASH sections: multi-stage noise shaping with several PLL loops to output every digital bit in good order and amplitude. This MASH section is connected directly to the power output section. Added to it is "Class AA": stabilizing input and output voltages for a 140dB digital s/n ratio...Part of the penultimate high-end Technics full lineup, at 107,000Ą, loaded as it was, the 25kg SU-MA10 was quite a bargain. It still is but it's pretty rare anywhere. Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.005% Damping factor: 110 Input sensitivity: 0.25mV (MC), 2.5mV (MM), 150mV (line) Signal to noise ratio: 70dB (MC), 79dB (MM), 92dB (line) Channel separation: 55dB (line) Output: 150mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 186 x 433mm Weight: 25kg

       

NAD  3300                                                                                                                                                 €.    350,00

The 3300 is a Monitor Series integrated amp made of most of the 1300 preamp and half of the 2600 power amp : MM & MC inputs with 3-step capacitance switch, low-impedance outputs, buffered tape i/os, "lab" input (to be fed from the preamp out and bypass all filters and controls), 30A and 400W of peak current/output available maintained in listenable regions with NAD's staple Soft-Clipping circuit. That much output goes with the Power Envelope circuit : two voltage rails for high and low power ranges. When listening loud, switching back and forth between rails therefore happens... I believe the 3300 was first available without the Product: NAD 3300Specifications: Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.03% Damping factor: 100 Signal to noise ratio: 80dB (MC), 80dB (MM), 100dB (line) Speaker load impedance: 4Ω to 8Ω Weight: 10kg Code Amplifier Measures: 432 x 105 x 381 mm

      

      

advance acoustic MAP-305ll                                                                                                                   Telefona     

Superb design together with a remarkable construction, high technical thoroughness and a finish beyond reproach allow the MAP305 II to meet the expectations of the greatest number of stereo freaks at a reasonable cost. Technically speaking, the AB class operating mode of the famous MAP-303 has been kept and optimized featuring a new ultra-rigid chassis with sealed compartments, new internal architecture and ubiquitous use of best quality circuit components.Musically speaking, the MAP-305 II expresses delicate subtlety and the right balance, always ready to deliver the right amount of power and dynamics. Neutrality, transparency and energy gathered in the AB class are making the MAP-305 II a unique musical instrument.
Moreover, the MAP-305DA II comprises a stereo digital converter (24-bits/ 192 kHz) having 5 inputs capable of reprocessing, at the highest level, audio digital signals from, for example, a CD/DVD .
Output power 8Ω : Classe AB - 2 x 100 W Output power 4 Ω : Classe AB : 2 x 200 W Frequency response : 10Hz - 60kHz (+1/-3dB) Distorsion : < 0,05% S/N Ratio : > 100dB Channel separation : > 70dB Input impedance : 20K Phono input impedance : 47k-100 Input level (CD-Aux): < 300mV Phono input level MM/ MC: 2,5mV & 0,2mV 4 Input : CD, Tuner, AUX, et Phono MM ou Phono MC Pre-Out Amp IN IR Remote control Dimension (L x H x D): 44 cm x 15,5 cm x 45 cm Weight : 19 kg

ARCAM  ALPHA 9                                                                                                                                             €.   450,00

Description The Arcam Alpha 9 integrated amplifier has 6 line level inputs and an optional phono input Specifications Power output: 70 watts per channel into 8Ω (stereo) Total harmonic distortion: 0.02% Input sensitivity: 0.26mV (MC), 2.6mV (MM), 160mV (line) Signal to noise ratio: 73dB (MC), 79dB (MM), 90dB (line) Output: 0.8V (Pre out) Dimensions: 430 x 330 x 110m Weight: 6.1kg

               

NAKAMICHI AMPLIFIER 2                                                                                                                          €.   550,00

Merkmale / Funktionen / Ausstattung: Harmonic Time Alignment Prinzip - Minimum an Verzerrung für bessere Tonqualität  Hochpegelstufe mit diskreten Bauelementen  großzügig dimensionierte Leistungstrafos für enorme Stromkapazität  niederohmige Aussteuerung für besseren Klang  Netzteil in "Multi-Regulated"-Technik - separate Transformatorwicklungen "Isolated Group"-Prinzip - Referenzpotential bleibt immer konstant, was stabiles Arbeiten aller Schaltungen garantiert  Phono: MM/MC - Schalter hinten  Tone Schalter- der Klang kann mit den entsprechenden Reglern eingestellt werden  Systemsteuerung RI - zur Steuerung weiteren RI- fähigen Nakamichi-Geräte  Muting Funktion  Bass, Treble, Balance Regler  Rec Selector  Input Selector: Tape2, Tape1, Phono, Tuner, CD, AUX  Lautsprecherwahlschalter: A/B, A+B  Anschlüsse s. Bilder  Technische Daten: (alle Angaben ohne Gewähr) DIN Ausgangsleistung an 4 Ohm: 2 x 80 W  RMS Ausgangsleistung an 8 Ohm: 2 x 50 W  Musikleistung an 2 /4 Ohm: 2 x 140 W / 2 x 90 W  Gesamtklirrfaktor: 0,01%  Aufnahmeleistung: 370 W  Abmessungen ca. (B x H x T): 430 x 125 x 360 mm  Gewicht: ca. 12,5 kg

 

 

        

 

MARANTZ PM50                                                                                                                   €.   330,00

Potenza 70W/8 Ohm per canale, risposta freq.10Hz/70kHz, Tot. distors. armon.0.06% Fatt.smorz.100 IN sensibil. 0.25mV(MC) 2.5mV(MM) 150mV(line), SNR(S/N) 86dB(MM) 86dB(line), Channel separation 65dB (line), OUT 300mV(line), Kg.10, dimens. mm. L420xA132xP334.

 

MARANTZ PM4001                                                                                                                   €.   330,00

Specification Power output: 40 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz Total harmonic distortion: 0.01% Damping factor: 100 Input sensitivity: 2.5mV (MM), 170mV (line)        Signal to noise ratio: 80dB (MM), 104dB (line) Channel separation: 70dB (line) Speaker load impedance: 4Ω (minimum) Dimensions: 440 x 117 x 341mm Weight: 6.6kg Accessories: RC4001PM remote control

 

 

 

DENON PMA720                                                                                                                 €.   280,00

Beautiful amplifier of 2 x 80 watts in 8 ohms. Very good sound, one of the best in its class. 7 inputs Phono MM and MC. Pre and power amplifier can be disconnected. Dimensions: 434x142x343 mm Weight 8.2 kg Colour: black

 

 

TECHNICS SU-X911                                              Prezzo    €. 220,00
Power output: 40 watts per channel into 8Ω (stereo) Frequency response: 10Hz to 50kHz Total harmonic distortion: 1% Damping factor: 30 Input sensitivity: 3mV (MM), 200mV (line) Signal to noise ratio: 79dB (MM), 83dB (line) Channel separation: 55dB (line) Output: 200mV (line) Speaker load impedance: 8Ω to 16Ω  Dimensions: 360 x 106 x 304mm Weight: 5.3kg Finish: black
 

YAMAHA  AX490                                                 Prezzo  €.  250,00

Power output: 85 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.008%Damping factor: 240 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 88dB (MM),                      110dB (line) Output: 150mV (line) Speaker load impedance: 4Ω to 16Ω Dimensions: 435 x 146 x 386mm Weight: 9.2kg Accessories: remote control
 

YAMAHA  AX390                                                 Prezzo   €.  190,00

Specifications Power output: 60 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.04% Damping factor: 100 Input sensitivity: 2.5mV (MM), 150mV (line) Signal to noise ratio: 82dB (MM), 102dB (line) Channel separation: 65dB (MM), 60dB (line) Output: 150mV (line) Dimensions: 435 x 146 x 309mm Weight: 7.3kg

 


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UNION RESEARC   NIMBLY                                                                                                                                                               €.    1.100,00 

Amplificatore  stereo  2x50   watt  8/4/2 ohm pentodo  ,2x25 watt   watt  8/4/2 ohm triodo, classe  a pura  fino  a meta' potenza, thd 0.1%,commutatore pentodo -triodo  Misure  470x210x360mm 32 kg  prova  ar 99 pag.171

                              

simel                                                                                                                                                                                            €.    1.300,00 

                           

LINEAR ACOUSTIC  LA TUBE 1    

Nennleistung/Rated power Triodenmodus/"Triode" mode of operation: Ultralinearmodus/"Ultra-linear" mode of operation: 2x45 W an 4 oder 8 Ω/ 2x45 W at 4Ω or 8Ω 2x80 W an 4 oder 8 Ω/ 2x80 W at 4Ω or 8Ω Eingangsempfindlichkeit für Nennleistung/ Input sensitivity for rated power Cinch: 450 mV XLR: 850 mV Eingangsimpedanz/ Input impedance Cinch: 7 kΩ XLR: 26 kΩ Ausgangsimpedanz/ Output impedance 0.17 Ω (am 4Ω-Anschluß/at the 4Ω-terminal) 0.29 Ω (am 8Ω-Anschluß/at the 8Ω terminal) Signal/Rauschabstand bezogen auf Vollaussteuerung/ Signal/noise ratio(SNR) rel. full modulation better than 98 dB (A) Klirrfaktor/ Distortion factor (THD+N) 1 kHz/10 W 4Ω-Anschluß/4Ω-terminal: 0.03% 8Ω-Anschluß/ 8Ω-terminal: 0.07% Frequenzgang/ Frequency response 20 Hz-20 kHz  Cinch: + 0.1/-1.2 dB XLR: +0.1/-0.4 dB Garantie/ Guarantee 3 Jahre inkl. Röhren/ 3 years including tubes Gewicht/ Weight 45 kg Abmessungen/ Dimensions HxBxT/ H x W x D: 230 mm x 450 mm x 446 m


 

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LECTOR Digitube s 192                                                                                                    NUOVO  IMBALLATO  IN  PROMOZIONE          

D A C a valvole 32/192 Khz input: aes-ebu / spdif / USB Con selettore 5 ingressi selezionabili / WC input / spdif out

The new Digitube S-192 digital tube D to A converter is based on 32 bit dac from AKM, high-resolution dac, output circuits is design around vacuum tube type  miniwatt as ECC-81/12AT7. Digital signals are accepted up to 192 kHz 24-bit on all inputs, USB input too. The Digitube S-192 is also equipped with word clock input and digital spdif output for general purpose application. T h e d i g i t a l i n p u t s :  - Spdif IEC-958 as RCA connector @ resolution 192 Khz 24 bit - Spdif IEC-958 as BNC connector @ resolution 192 Khz 24 bit - AES-EBU AES-3 as XLR connector @ resolution 192 Khz 24 bit - Opto toslink digital input @ resolution 192 Khz 24 bit - Asyncronous USB PC/MAC input @ resolution 192 Khz 24 bit support stable KS/WASAPI protocol at high speed comunication O u t p u t / i n p u t d i g i t a l s e r v i c e s :  - Word Clock (W.C.) clock input - Spdif as BNC output A n a l o g o u t p u t :  - Unbalanced output as 2.5 volt 250 ohm P e r f o r m a n c e s :  Input selector by sequential single shot by push button, led indicator for selected input. Led indicator for analog and digital supply Led lock for spdif / aes-ebu input Display frequency indicator for 32 / 44.1 / 48 / 88.2 / 96 / 176.4 / 192 / Windows driver for XP/Vista/Seven at 32 and 64 bit supplied by CD rom, update service downlod from web No any driver required for OSX-Apple mac computer ( the USB interface is native as real USB-2)  Type of Unit  Digital to Analog converter with usb input Output impedance 250 ohm Jitter interface 20 ps Frequency Response  15 - 96 kHz +/- 1 dB @ hi-res input 192 Khz Input digital Impedance  75 ohm spdif / 110 ohm aes-3 Harmonic Distortion  THD < 0.1 %  S/N Ratio  100 dB ( A-weighted )  Tube output ECC-81/12AT7 x 4 AC Main Voltages  100/110/230/240 VAC - 50/60 Hz - 100 VA  Dimensions ( W x D x H )  430 mm x 300 mm x 55 mm  Weight ( Net - Gross ) 8 kg - 10 kg

 

       

 

ADVANCE ACOUSTIC  503                                                                                                                     €. 750,00

  SPECIFICATIONS OUTPUT LEVEL UNBAL./BAL 0-1,8V FREQUENCY RESPONSE 10Hz-70kHz DAC DIGITAL AUDIO CONVERTER (2X2) 24bit-384kHz DISTORSION < 0,06% S/N RATIO >= 90 dB CHANNEL SEPARATION >= 90 dB INPUT IMPEDANCE 50-110Ω AC INPUT 115-230V POWER CONSUMPTION S/BY OFF NC POWER CONSUMPTION S/BY ON NC POWER CONSUMPTION MAX < 40W TRANSFORMER(S) 2 DIMENSIONS H.11x l.44x D.35 NET WEIGHT / GROSS WEIGHT 1,6 / 9,1 kg

      

THRESHOLD   DAC1/E                                                                                                                €. 1.500,00

 

Description  High-performance processor for converting a digital audio input stream  To an analog output signal at fixed line level. Operating format is an ultra linear 1 bit system performing @ 24 bit equivalent static linearity in a dual parallel balanced differential configuration. Computer optimized passive filtration maintains phase linearity to 80 kHz. Proprietary "jitter" reduction circuitry assures extreme accuracy in the conversion of each bit. Master clocking is performed by three separate precision lithium-tantalite crystals each clocking an associated PLL reference oscillator and dedicated to a single one of the processor's sampling rates. Analog signal output is developed by a proprietary discrete FET /bi-polar buffer. Four digital inputs are provided, 2 via coaxial, and 2 via optical connectors. One optical digital output and balanced or single-ended characteristic stereo analog output signals are available. The analog output signal characteristic may be phase rotated 1800 • Front panel controls: INPUT SELECTOR, PHASE. Front panel displays indicate: sampling rate; emphasis present; lock lost; standby mode. Frequency response 48 kHz sampling: DC to 22 kHz ± 0.15dB. 44.1 kHz sampling: DC to 20 kHz ± 0.15dB 32 kHz sampling: DC to 15 kHz ± 0.15dB. Decoding system  1 bit performing @ 24 bit equivalent static linearity. (500Hz, pass band filtered)  Oversampling clocked @ 768 times incoming data Jitter  MApproximately 20 picoseconds Linearity Within ± 0.3 dB @ - 120 db below digital maximum level Output filtration  3rd order (passive) with phase linearity to 80 kHz De-emphasis MPassive analog Distortion  Below 0.002% typical 20 Hz through 20 kHz.

 

       

 

MICROMEGA   DAC (NUOVO EX DEMO)                                                                                                         €.    690,00

convertitore D/A Dac1 ( 3 ingressi digitali , ottico , coassiale e AES-EBU , uscite analogiche bilanciate e sbilanciate)

 

       

ESOTERIC  D07                                                                                                                                          €. 1.950,00

ESOTERIC is pleased to introduce a new 32-bit D/A converter model D-07 that supports the playback of Super Audio CD, CD and high-resolution, hard drive based music files. The D-07 is a dual mono D/A converter capable of 32bit resolution throughout the signal path. The D-07 features a variety of digital inputs, including a USB terminal, that support the playback of Super Audio CDs together with ESOTERIC's Super Audio CD Transport products, as well as the playback of high-resolution music files. The D-07's USB input can accept native resolution up to 24bit/96kHz. The digital processing in the D/A conversion input is realized by utilizing a variety of D/D conversion functions, and thus represents the pinnacle of ESOTERIC's digital processing technology. The new D-07 features high-definition functions that employ state-of-the-art technology, such as format conversion for converting PCM digital signals to DSD, PCM up-conversion (2x/4x), and two digital filters (Including "pre-echo” reduction). These functions can be freely selected and used to fit your needs. WORD SYNC allows you to synchronize playback with other digital devices, and a 2nd PLL effectively reduces the jitter for digital devices without WORD SYNC - these are the kind of high-definition functions that can only be found on high-end, specialized devices. The D-07 also has an attenuator for controlling the level of analog output. This can be combined with selector functions that are used for a variety of digital inputs, and allow the DAC to serve as a high-end digital preamplifier. The D-07, which can be used with both audio-visual devices and the PC, maximizes the potential of ESOTERIC's state-of-the-art technology. It is the ultimate high-end D/A converter for people that demand the utmost in quality for high-resolution music sources.32bit D/A converter strives for the highest qualityTo achieve that perfect sound, the D-07 uses the Asahi Kasei Microdevices Corporation's AK4392 (*1) DAC device. It also comes equipped with an in-house developed high-speed and high-performance digital signal processing section, and an improved analog section for receiving processed data. The 32bit processing capacity is maintained throughout the unit, from the input I/F and the digital filter, to the Delta-Sigma modulator. The digital computing section provides high-precision computing, even if data below 24bit is input, helping to produce that high sound quality. In the analog section, the layout of channels is completely symmetrical, and a dedicated power supply is used for each circuit. This helps to prevent cross channel interference. The internal master clock is also equipped with a dedicated power supply, thus minimizing effects caused by jitter. Dual mono configuration from the DAC to the audio output This configuration follows ESOTERIC's proven dual mono configuration. It contains separate DAC devices and analog audio circuits on each L/R, and the same parts positioned on the same path. To reduce crosstalk between channels, the same parts are positioned in the same pattern for each L/R on the board. This minimizes differences in sound quality between L/R to ensure superior channel separation. This allows you to experience high-definition playback with a rich sense of localization and depth. XLR audio output is set up in fully balanced configuration, allowing you to select between HOT (pin=2) and HOT (pin=3). You can also select from the analog outputs (RCA/XLR/OFF). Analog output Output terminals XLR (2ch) ×1RCA (2ch) ×1Output impedance XLR: 100Ω RCA: 100ΩMaximum output level 2.2Vrms (1kHz, full scale, 10kΩ)Frequency response 5Hz - 40kHzS/N ratio 130dBTotal harmonic distortion 0.001% (1kHz)Digital input Balanced digital input XLR ×1 24bit/192kHzCoaxial digital input RCA ×2 24bit/192kHzOptical digital input Optical ×1 24bit/192kHzUSB input USB Type B ×1 24bit/96kHzWord Sync output Output terminal BNC ×1Output frequency 44.1/88.2/176.4/48/96/192kHz(rectangular wave) Output level TTL level (75Ω)Word Sync input Input terminal BNC×1 Input frequency 44.1/88.2/176.4/48/96/192/100kHz(rectangular wave) Input impedance 75ΩInput level TTL level General Power supply AC 230V 50HzAC 120V 60HzAC 220V 60HzPower consumption 7W External dimensions(W×H×D) 442mm×103.5mm×346mm (17-3/8"×4-1/16"×13-5/8") Weight 9.5kg

 

 

ASUS XONAR ESSENCE ONE MKII  (demo)                                                                             €.  450,00

 

Convertitore D/A HiEnd con 11 amplificatori operazionali sostituibili, Rapporto Segnale/Rumore 120dB, risposta in frequenza <10Hz - 48kHz, ingresso  USB/SPDF/TOS, velocitŕ di campionamento/trasferimento 44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz, frequenza di campionamento e risoluzione DSD 64/2.8 MHz, 44.1kHz/48kHz/88.2kHz/96kHz/176.4kHz/192kHz@16bit/24bit/32bit, Upsampling fino a 352.8kHz (ingresso 44.1kHz/88.2kHz/176.4kHz) oppure 384kHz (ingresso 48kHz/96kHz/192kHz)32bit, 3 uscite analogiche (XLR bilanciato, RCA sbilanciato, cuffia), DAC principale TIPCM1795, kit sostituzione Op- Amp n. 4 TI Burr-Brown OPA2132PA + n. 2 NS LM4562NA, amplificatore cuffie NS LME49600TS ottimizzato sino ad impedenza 600Ohm, Dimensioni
(LxAxP): 261 x 230 x 60 mm.

USB digital-to-analog converter with exclusive 8x symmetrical upsampling and Op-Amp swap kit • Exclusive Op-Amp swap kit includes 6 Op-Amps and tools for easy tone tuning • World’s first 8X symmetrical upsampling technology restores lossless audio • Eleven swappable Op-Amps for user-tunable tone characteristics • Built-in 600ohm headphone amplifier drives all headphones on the market • Ultra-high 120dB SNR for the purest sound • Dedicated internal linear power supply ensures the cleanest audio , Tune your essence of sound Tune your essence of sound  Xonar Essence series is dedicated to pursuing the purest listening experiences and the highest fidelity.  Thousands of years ago, our ancestors crystallized their precious knowledge of materials and music into the Chime of the Tiger, one of the first audio masterpieces in human history. The Chime of the Tiger totem has inspired the Xonar team’s passion for audio, in honor of the accomplishments of those who came before. The team has made its own mark on history, contributing new audio innovation, thus maintaining humanity’s endless pursuit of the essence of sound.  Redefine high fidelity and clarit The ASUS Xonar Essence One digital-analog converter (DAC) and headphone amplifier has earned considerable critical acclaim, winning a 2012 CES Innovations Award in the audio component category with the industry’s only 8x symmetrical upsampling, The ASUS Xonar Essence One Plus Edition further adds a bundled Op-Amp tweaking kit with six extensively-tested Op-Amps to make sound characteristic tuning easier out of the box, with no soldering required. It also saves customers the need to purchase Op-Amps separately.  Note: CES 2012 Innovations Award for Xonar Essence One (original edition).  Redefine high fidelity and clarity  Multi-tone tuning With a bundled Op-Amp swap kit  Multi-tone tuning with a bundled Op-Amp swap  Op-Amps serve a critical role in audio hardware, amplifying analog signals and determining tone and timbre characteristics. As user taste in tone character varies, dedicated audiophiles often choose to change Op-Amps to fine-tune performance, something the original Xonar Essence One supported with its eleven swappable Op-Amps. This feature proved highly popular, leading the Xonar team to extensively test over a hundred different Op-Amps with the original Xonar Essence One in order to explore the finest combinations . The six Op-Amps deemed most unique in their impact on sound character were selected to be part of the Xonar Essence One Plus Edition, the first USB DAC with a bundled Op-Amp swap kit.  Op-Amp  Six extra Op-Amps included  By combining the original Texas Instruments TI-NE5532 Op-Amps with four Texas Instruments TI-OPA2132PA and two NS-LM4562NA Op-Amps, the special edition allows for five unique tonal impression customization options.  User-friendly tools and Op-Amp swap guide The kit even includes IC clamps, a screw driver, and an Op-Amp swap guide which shares various Op-Amp tips based on the Xonar team’s findings. These make swapping any of the existing eleven Op-Amps easy for quick audio modification based on personal preference. The kit further offers compatibility with other Xonar products, including the Xonar Essence ST/STX, Xonar Xense, and Xonar DS/DSX Audio Performance Output Signal-to-Noise Ratio (A-Weighted) (Front-out) : 120 dB Output THD+N at 1kHz (Front-out) : 0.000316 %(-110 dB) Frequency Response (-3dB, 24bit/192KHz input) : 10 Hz to 48 KHz Output/Input Full-Scale Voltage : Balanced Output : 4 Vrms ( Vp-p) Unbalanced Output : 2 Vrms ( Vp-p) Headphone : 7 Vrms ( Vp-p) Bus Compatibility USB Chipset Audio Processor :C-Media CM6631 High-Definition Sound Processor Sample Rate and Resolution Analog Playback Sample Rate and Resolution :44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit S/PDIF Digital Input : 44.1K/48K/96K/192KHz @ 16bit/24bit ASIO 2.2 Driver Support : Hz @ with very low latency Upsampling capability : Up to 352.8 kHz (44.1K 88.2K 176.4KkHz input) or 384 kHz (48K/96K/192KkHz input), 32bit  Connectivity Analog Output  1 x 6.3 mm jack (1/4") Headphone out 2 x RCA (Un-Balanced) 2 x XLR (Balanced) Digital 2 x S/PDIF in (1 x Optical (Toslink)/1 x Coaxial) Accessories Driver CD x 1 6.3mm to 3.5mm stereo adapter x 1 Audio Precision (AP) test report x 1 USB cable x 1 Power cord x 1 Op-Amp Swap Kit x 1 Dimensions 261.33 x 230 x 60.65 mm ( L x W x H ) Note Components: ● S/PDFI Receiver: AKM 4113 ● DSP: ADI ADSP-21261  ● D-A Converter for Analog Inputs: TI PCM1795 ● Power Input Jack: IEC AC Inlet ● Volume controller: Balanced Output: Quad Units Taper B Potentiometer; Headphone Output: Quad Units Taper B Potentiometer ● Voltage Selector: AC 115V/223V Slide Switch Operational amplifier:  ● Balanced/Un-balanced I/V:4 x NE5532 ● Balanced/ Un-balanced LFP: 2 x NE5532 ● Balanced /Un-balanced Buffer: 3 x LM4562NA ● Headphone: 2 x LME49600 Clock:  ● Crystal clock: 12MHz For USB; 24.576MHz For S/PDIF ● Oscillator: 45.1584MHz (for 44.1KHz sample rate); 49.152MHz (For 48KHz sample rate) LED Indicator:  ● One color LED: Ř3mm Lamp LED Blue color ● 2 color LED: Ř3mm Lamp LED Multi color(Blue and Red) Op-Amp Swap Kit Content:● TI-OPA2132PA x 4 (Op-Amp) ● NS-LM4562NA x 2 (Op-Amp) ● Screw driver x 1 ● IC clamp MAC OS X support:  The Essence One supports Mac OS X 10.8 or later version without any driver needed

 

 

ASUS XONAR ESSENCE ONE MUSES (demo)                                                                        €.  750,00

Flagship USB DAC and headphone amplifier uses premium MUSES 01 Op-Amps for high-fidelity audio reproduction• Powered by six top-notch MUSES 01 Op-Amp for crystal clear and spacious sound •MUSES 01 is the first ever oxygen-free copper interconnect and custom layout Op-Amp for truthful sound reproduction •8x symmetrical upsampling technology for ultra-low sound distortion •Dedicated 600ohm headphone amplifier for clearest detail •Ultra-high 120dB SNR for purest sound Audio Performance MUSES 01 Op-Amps help deliver premium audio Xonar Essence One MUSES Edition includes six MUSES 01 Op-Amps, produced by the New Japan Radio Company. MUSES 01 are the top-of-the-line Op-Amps from the brand, which is considered a leader in quality audio components. Together with ASUS Xonar engineering, MUSES 01 Op-Amps take audio to new levels, with lifelike reproduction capturing every nuance.  Truthful audio MUSES 01 components are notable as the first to use oxygen-free copper interconnects, allowing for better circuit conductivity and thus improved reproduction. They use exclusive fabrication techniques, including advanced symmetry die-bonding, a custom layout that lowers component crosstalk and generates better-balanced left/right channel symmetry.  Ultra spacious sound field To achieve better stereo symmetry, the MUSES 01 employs exclusive technology, the Advanced Symmetry Die-bonding (ASD) Technology.The specialized layout techniques offer super low cross-talk and well-balanced symmetry between both left and right channels and create the most ever spacious sound field.  Proved performance with a test report Excellent achievement granted by New Japan Radio. During the development, the prototype of Xonar Essence One MUSES edition was tested by the MUSES engineer team and received a testing report Output Signal-to-Noise Ratio (A-Weighted) (Front-out) : 120 dB Output THD+N at 1kHz (Front-out) : >0.000316 %(-110 dB) Frequency Response (-3dB, 24bit/192KHz input) : 10 Hz to 48 KHz Output/Input Full-Scale Voltage : Balanced Output : 4 Vrms ( Vp-p) Unbalanced Output : 2 Vrms ( Vp-p) Headphone : 7 Vrms ( Vp-p) Bus Compatibility USB Chipset  Audio Processor :C-Media CM6631 High-Definition Sound Processor Sample Rate and Resolution Analog Playback Sample Rate and Resolution : 44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit S/PDIF Digital Input : 44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit ASIO Driver Support : 44.1K/48K/88.2K/96K/176.4K/192KHz @ 16bit/24bit with very low latency Upsampling capability : Up to 352.8 kHz (44.1K 88.2K 176.4KkHz input) or 384 kHz (48K/96K/192KkHz input), 32bit  Connectivity Analog Output  1 x 6.3 mm jack (1/4") Headphone out 2 x RCA (Un-Balanced) 2 x XLR (Balanced) Digital2 x S/PDIF in (1 x Optical (Toslink)/1 x Coaxial) Accessories Driver CD x 1 6.3mm to 3.5mm stereo adapter x 1 Audio Precision (AP) test report x 1 USB cable x 1 Power cord x 1 Dimensions 261.33 x 230 x 60.65 mm ( L x W x H ) Note Components: ● S/PDFI Receiver: AKM 4113 ● DSP: ADI ADSP-21261 ● D-A Converter for Analog Inputs: TI PCM1795 ● Power Input Jack: IEC AC Inlet● Volume controller: Balanced Output: Quad Units Taper B Potentiometer; Headphone Output: Quad Units Taper B Potentiometer ● Voltage Selector: AC 115V/223V Slide Switch Operational amplifier:  ● Balanced/ Un-balanced I/V:4 x MUSES 01 ● Balanced/ Un-balanced LFP: 2 x MUSES 01 ● Balanced/ Un-balanced Buffer: 3 x LM4562NA ● Headphone: 2 x LME49600 Clock:  ● Crystal clock: 12MHz For USB; 24.576MHz For S/PDIF ● Oscillator: 45.1584MHz (for 44.1KHz sample rate); 49.152MHz (For 48KHz sample rate) LED Indicator:  ● One color LED: Ř3mm Lamp LED Blue color ● 2 color LED: Ř3mm Lamp LED Multi color(Blue and Red) MAC OS X support:  The Essence One supports Mac OS X 10.8 or later version without any driver needed

 

 

 

 

HARMAN KARDON DMC 1000                                                                              

DMC 1000 Four-Stream Digital Media Centre  4-Stream Digital Media Center With Progressive-Scan DVD-Video Playback and 250GB Internal Hard Drive Smaller but vastly smarter and better looking than your average CD storage rack, the DMC 1000 will digitize, catalogue and store as many as 60,000 songs as you play them, allowing you to banish all those aging jewel cases to the attic. It will also let you distribute four separate audio streams from your music library to different locations in your home. With touch-sensitive front-panel controls (the ultimate no-button design), a concealed front-panel USB jack and hidden memory card slots, the DMC 1000 will even let you transfer your music for use in portable players, card-equipped cars and cell phones. And your iPod? Full audio/video playback and charging with The Bridge universal dock (sold separately, and very much worth it). Substantially smaller but vastly smarter and better-looking than your average CD storage rack, the DMC 1000 will digitize, catalogue and store as many as 60,000 songs as you play them, allowing you to banish all those aging jewel cases to the attic. It will also let you distribute separate audio streams from your music library to two, three or four locations in your home. With touch-sensitive front-panel controls and concealed front-panel USB jack and memory-card slots, the DMC 1000 will even let you transfer your music for use in portable players and media card-equipped cars and cell phones. And your iPod? Full audio/video playback and charging with The Bridge universal dock (sold separately and very much worth it)

 


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

 

JADIS  J1 DRIVE                                                   Telefona

 

Meccanica  trasporto  cd  state  of  art

 

 

 

Esoteric   SA-60                                                                                            Telefona

Dotato della leggendaria meccanica VRDS-Neo, punta di diamante del produttore giapponese, l'SA-60 si candida a essere sorgente di assoluto riferimento. MPlayer universale in grado di leggere CD, SACD, DVD-Video, DVD-Audio, VCD e SVCD, l’SA-60 č dotato dei piů moderni circuiti di conversione attualmente disponibili, racchiusi in uno chassis in alluminio mutuato dai fratelli maggiori.Esoteric SA-60 č capace d’evolute funzioni di conversione e up-conversion audio ed č dotato di uscite multi-canale analogiche.Ricco il parco uscite audio: bilanciate XLR o sbilanciate RCA per i canali L e R e solo sbilanciate per i restanti canali surround. Completa la dotazione una uscita audio digitale ottica o coassiale e l’ingresso “word sync” per unitŕ di clock esterne (p.es. Esoteric G25S).
 

Description: Multichannel, audio-only SACD/CD/DVD-Audio/DVD-Video player with choice of 8x oversampling FIR and upsampling RDOT low-pass digital filters, PCM-to-DSD (1-bit, 64x) upsampling. Digital audio outputs: coaxial, optical/TosLink. Analog audio output: dedicated 2-channel outputs (balanced, XLR, and unbalanced, RCA), plus multichannel RCA outputs. Maximum output level at 1kHz: 2.2V RMS, unbalanced and unbalanced. Output impedance: not specified. Frequency range: 5Hz–88kHz (DVD-A). Signal/noise ratio: 130dB. Dynamic range: 107dB. THD: 0.002%.
Dimensions: 17.4" (445mm) W by 5.9" (150mm) H by 13.9" (355mm) D. Weight: 37 lbs (17kg).

 

                              

 

TEAC VRS10                                                                                                                       €. 600,00

Caratteristiche tecniche Sistema di conversione: doppio Philips bitstream "DAC-7" + sovracampionamento ottuplo e filtro digitale a 20 bit + filtro di butterworth del 3 ordine. Risposta in frequenza: 1 : 20.000 Hz +- dB RCA Distorsione armonica totale: 0,0013% (1 kHz) Separazione fra i canali: > 110 dB (1 kHz) Rapporto S/N: 110 dB (1 kHz) Livello d'uscita: analogica: 2,2 V RMS uscita RCA, digitale: 0,5 Vp-p/75 Ω coassiale, 15 : 21 dBm ottica MDimensioni: 43,5 x 14,9 x 33,1 c Peso: 10 kg
 

 

 

 

DENON DCD-DS10II                                                                                                                           €. 900,00

 

 

NAKAMICHI  OMS3                                                                                                                                 €.    350,00

 

   

 

PIONEER   PD-S801G                                                                                                                        €.    350,00

 

Specifications  Disc format: CD  Digital converter: 2 x PD2028B   CD Mechanism: PEA1030  Frequency response: 2Hz to 20kHz  Dynamic range: 98dB  Signal to Noise Ratio: 110dB   Total harmonic distortion: 0.0021% Line output: 2V  Digital outputs: optical  Dimensions: 420 x 276 x 135mm  Weight: 5kg  Accessories: remote control

 

 

TASCAM  CDRW900          

MARANTZ  7001                                                                                 €.    400,00

EISA WINNER SA-CD playback The CS4397 ’Super DAC’ from Cirrus Logic Current Feedb Customized components Dedicated power supply Dedicated top quality headphone circuitry with a fast current-buffer amp Display off possibility Quick Replay Marantz D-Bus Frequency Response CD 2Hz-20 kHz mSACD 2Hz-50kHz(-3dB)  Dynamic Range CD <100dB SACD 114dB Signal-to-Noise Ratio CD 103dB SACD 109dB Total Harmonic Distortion CD 0.002% SACD 0.0009% Dimensions Width 440mm Height 113mm Depth 335mm Weight  7.5kg
 

 

PIONEER   W739           

 

DENON DCM5000                                                                                                                    

 

The Denon DCM-5000 offers a variety of control options that make it easier than ever for the user to organize and access an entire CD music library. Standard control functions such as play, stop, random play and so on can be activated from either the ergonomically designed front panel or via the supplied remote control—but that’s just the beginning. The user can also connect a standard PC keyboard directly to the DCM-5000 and enter disc/name information into the DCM-5000’s memory; once entered, this information is displayed for easy identification when the disc is selected for playback. Each CD can be assigned to any of up to eight musical categories (i.e., "Rock," "Jazz," "Country" and so on), and the user can choose to listen to only CDs within a particular category at any time. CD TEXT CDs are also supported.The DCM-5000 also includes a standard RS-232 serial port, allowing it to be controlled by a personal computer. And for the ultimate user interface, the Denon DCM-5000 is compatible with the Escient Tune-Base CD management system. Escient’s Tune-Base system, which has an Internet PC-based engine and proprietary software, connects to the DCM-5000 and the home theater system’s monitor TV. Because every CD has a unique Table of Contents, the Escient Tune-Base system is able to look up the names of each CD (using the CD’s unique identification code) and enters its title, artist’s name, song title and even album cover into a custom, personalized database. A graphical on-screen interface then allows the user to choose and play the desired music simply by clicking on album cover art and song titles!Advanced Engineering for Audiophile Sound QualityAlong with its unparalleled playback versatility, the Denon DCM-5000 provides true audiophile sound quality, superior to even esoteric high-end CD transport/ D/A converter combinations. Key to the DCM-5000’s superb audio performance is Denon’s new 24-bit ALPHA processing technology, a proprietary analog waveform reproduction technology that uses newly developed interpolation algorithms to provide 24-bit resolution from conventional 16-bit CDs. The DCM-5000 incorporates the finest available 24-bit Burr-Brown D/A converters for ultimate sound quality. The DCM-5000’s ALPHA processor also incorporates an adaptive digital filter that automatically adjusts the low pass cutoff frequency, for improved pass-band and impulse response. The result is a dramatic leap forward in CD sound quality, with vastly improved low-level detail resolution, outstanding dynamic range, precise imaging, a wider and deeper soundstage and a far more natural musical presentation.Built-In HDCD Decoding In addition, the DCM-5000 incorporates the Pacific Microsonics HDCD decoder chip to obtain the full sonic benefits of HDCD-encoded CDs, which offer greater resolution and dynamic range than standard CDs. HDCD is a multi-stage process that overcomes the limitations of the 16-bit CD format by using a patented system to extend the dynamic range of CDs to a 20-bit level, while remaining completely compatible with the CD format. The DCM-5000’s built-in HDCD decoder also improves the sound of non-HDCD discs, thanks to its high-precision digital filter. More than 2,000 HDCD titles from major artists are currently available, with the list growing rapidly. The Denon DCM-5000 carries a suggested retail price of $1,800, and the DCM-5001 100-disc slave changer unit is available at $1,300 suggested retail.Denon Electronics is Japan’s oldest audio company. Founded nearly 90 years ago, the company has a long history of technical innovations, including the development and first commercialization of PCM digital audio recording.100 disc CD Changer • Dual CD drives • Slide-out, non-removable linear CD tray • HDCD decoding via Pacific Microsonics PMD-100 filter/decoder • 24 bit Burr-Brown premium DACs (Audio output 1) • 20 bit digital filter, 18 bit Burr-Brown premium DACs(Audio output 2 - second zone) • CD Text • Disc naming function, via front panel controls or via external PC keyboard input, or via remote control • 8 Music groups • 40 step programming X 4 functions = 160 step programming capacity • 2 sets analog ouptuts (main and second zones) • 2 sets digital outputs (coaxial) • Digital inputs for connection to optional DCM-5001 auxilliary drives • Crossfade in analog mode • Up to 5 DCM-5001 aux drives can be connected to DCM-5000 control drive • Remote control supplied • RS-232/422 serial port • Composite video output for on-screen display • assorbimento: 42 W-misure: 434(B) x 243 (H) x 474,5 (T) mm-peso 16,2 Kg.

 

DENON DCM5001                                                                                                                    

100 disc CD Changer • Companion to DCM-5000 • Dual CD drives • Slide-out, non-removable CD tray • 20 bit digital filter, 18 bit premium Burr-Brown DACs for both analog outputs • 2 sets analog outputs (main zone/second zone) • Digital connections (2 coaxial) to DCM-5000 for all digital transfer • Up to 5 DCM-5001 drives can be connected to DCM-5000 master drive • RS-232/422 serial port • misure :434(B) x 243 (H) x 474,5 (T) mm-peso 16,2 Kg.

           

DENON DN-1200C                                                                                                                    

Master unit for DN-1200F-TELECOMANDO

               

 

DENON DN-1200F                                                                                                                    

Master unit for DN-1200F-TELECOMANDO


 

 

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

 

DENON DVD2500 BT                                                                                            Per offertaTelefonare/e-mail

Differente come sempre, Denon. Con una visione del mercato Hi-Tech che verrebbe da definire 'aristocratica', ma che con maggior luciditŕ č piů esatto definire lungimirante e pragmatica, Denon ha risposto alla richiesta di lettori in formato Blu-ray con il distacco e l'autorevolezza di un leader che non ama gettarsi nella corrente dei consumi ma - semmai - dettarli con scelte di alto profilo. Queste operazioni possono sembrare azzardate fino ad apparire arroganti, ma in realtŕ c'č dietro la volontŕ di esprimere un'opinione, un indirizzo, un suggerimento per il consumatore. Ecco qual č.Una scelta intelligenteDebuttare con una meccanica di lettura, piuttosto che con un lettore integrato dotato di decoder ci sembra una scelta razionale e motivata. Guardando la diretta concorrenza, sono molti i competitors di Denon dotati di decoder HD audio incorporati che possono offrire 'attracco' al DVD-2500BT senza problema alcuno di compatibilitŕ. Lo standard Blu-ray, anche se da tempo in commercio, solo da relativamente poco č stato legittimato come unico standard per l'audio e il video in alta definizione, sotterrando definitivamente l'HD-DVD.Il mercato dei lettori Blu-ray, vista anche l'ubiqua presenza della PlayStation Sony, si sta ancora strutturando, soprattutto nell'alto di gamma, dove non esiste - o per meglio dire, non esisteva - una vera e propria leadership.Denon come č sua tradizione, ha preferito aspettare il momento adatto per debuttare con un prodotto di livello assoluto, capace di affermare immediatamente la propria leadership.Semplice, nella sua complessitŕIl DVD-2500BT č una 'meccanica di lettura' o una 'transport unit', per dirla con gli anglofili. E' una unitŕ con sola uscita HDMI 1.3 che veicola sia il segnale audio, sia quello video, entrambi in formato digitale. Puň essere collegata a qualsiasi dispositivo dotato di ingresso HDMI (compatibile HDCP High Definition Content Protocol), ma č ovviamente possibile fruire dell'audio in HD solo nel caso che il DVD-2500BT venga collegato ad un apparato (sintoamplificatore, preamplificatore o amplificatore AV) dotato di decodificatore audio HD. Nulla vieta, perň, di utilizzare ilDVD-2500BT con un qualsiasi Flat-TV dotato di ingresso HDMI (e che abbia la possibilitŕ di gestire l'audio tramite quel tipo di interfaccia).Dal DVD-2500BT č infatti prelevabile un segnale video a risoluzione massima di 1080/24p, che puň essere poi personalizzata tra 480p, 576p, 720p, 1080i/p.Il processo video, e quindi l'upscaling e la conversione i/p (interlacciato/progressivo) avviene tramite sofisticati circuiti che lavorano il segnale nel dominio digitale attraverso circuitazione di grado High-End, quindi al massimo livello prestazionale, normalmente utilizzati nelle migliori applicazioni professionali. Per realizzare questo lettore, Denon ha sviluppato una nuova meccanica, pesantemente schermata al fine di creare il miglior 'ambiente' di lettura al pick-up ottico. La tecnica costruttiva č denominata SVH (Suppressed Vibration Hybrid), che accoppia, per gli elementi della meccanica, materiali di tipo diverso, in modo da rendere la rotazione piů stabile possibile, ottenendo una piů precisa lettura del disco. Tutto questo racchiuso in uno chassis composto da tre strati di materiali differenti, cosě da isolare il piů possibile gli elementi interni dalle vibrazioni. Il DVD-2500BT č naturalmente compatibile con lo standard BD, quindi con quello DVD-Video, DVD+R/RW, DVD-R/RW, CD, CD-R/RW e MP3, WMA, JPEG (solo su CD-R/RW) e con DivX (V.6).Sul pannello frontale č presente uno slot per schede 'SD' (č possibile leggere miniSD e microSD con un adattatore opzionale) che permette di vedere le proprie fotografie digitali. Il DVD-2500BT č un lettore 'totale', universale nel vero e piů completo senso della parola.Visione Il DVD-2500BT č in grado di produrre prestazioni di pura classe High-End, a partire dal suo funzionamento meccanico.Il caricamento del disco avviene in modo istantaneo e si puň accedere in modo rapido al contenuto, per ogni tipo di disco, Blu-ray compreso. La qualitŕ video č ai massimi livelli ottenibili con questa tecnologia. Con il Blu-ray si gode di un dettaglio, di una profonditŕ di campo e di una 'potenza espressiva' davvero inediti.Le immagini sembrano prender vita e materializzarsi tra le pareti domestiche, con un realismo ed un partecipazione emotiva che sembra provenire direttamente dal regista, dagli attori, dal direttore della fotografia del programma che stiamo al momento guardando.Il Blu-ray č il vero salto di cui il video aveva bisogno, limitato fin oggi dalla bassa definizione dei DVD standard. Anche quest'ultimi poi, letti dal DVD-2500BT, danno il meglio di sč, con un miglioramento generale nelle prestazioni. Si gode sempre di immagini di ottimo livello, spinte al massimo delle loro potenzialitŕ, percependo con nettezza il talento della macchina Denon, capace di estrarre dal DVD l'essenza della qualitŕ possibile. Conclusioni Il DVD-2500BT si candida come 'la' sorgente video per eccellenza. Prestazioni world-class da una macchina costruttivamente allo stato dell'arte, ma economicamente ancora abbordabile grazie al 'risparmio' operato in partenza sul decoder, ed in grado di estrarre ogni stilla di informazione audio o video da qualsiasi supporto digitale a 5'. In sintesi, una opzione di acquisto tipicamente Denon: altissima tecnologia, grandi prestazioni e prezzo di inconfutabile onestŕ. In piů ci sono una versatilitŕ ed una 'longevitŕ' tecnologiche pressochč sconosciute nel volatile mercato dell'home-cinema, anche di grande livello. Da mettere in cima delle preferenze dagli amanti della qualitŕ.
 

 

 

CAMBRIGEAUDIO 752 BD                                                                                                                           €.   950,00

AZUR 752BD UNIVERSAL UPSAMPLING BLU-RAY, DVD & CD PLAYER Our best ever universal player gets the very most from video and audio discs, digital files and streaming. One box to do it all and do it all brilliantly - the ultimate universal player is here! No matter what format you have your video and audio in, the Azur 752BD universal player will bring it to life in your living room.DISC TYPES Blu-ray (BD) including BD-3D, DVD, DVD-A, AVCHD, SACD, CD, HDCD, Kodak Picture CD, CD-R/RW, DVD+-R/RW, DVD+-R DL, BD-R/RE VIDEO OUTPUTS 2 x HDMI 1.4a with ARC, 1 x composite diagnostic video AUDIO OUTPUTS 7.1 multichannel analogue RCA/Phono output, 1 x S/PDIF, 1 x Toslink, Dedicated 2 channel stereo analogue RCA/Phono output HDMI INPUTS 2 x 1.4a (one with MHL compatibility via the front panel) AUDIO INPUTS 1 x S/PDIF, 1 x Toslink CUSTOM INSTALLATION CONNECTIONS 1 x RS232, 1 x IR emitter input DACS 5 x Wolfson WM8740 24bit DACs DECODER Mediatek MTK8580 AUDIO UP-SAMPLER Analog Devices ADSP-21261 32 bit SHARC(R) DSP running Anagram Technologies (TM) Q5 up-sampling to 24 bit/192kHz (All 10 channels) VIDEO SCALER Marvell DE2750 QDEO Video Scaler (on primary output) EXTERNAL STORAGE 3 x USB 2.0 NETWORK Ethernet: 100BASE-T, Wi-fi: 802.11 b/g/n via supplied dongle THD+N @ 1KHZ < 0.001% THD+N 20HZ-20KHZ < 0.003% IMD 19/20KHZ < 0.0002% S/N RATIO< -108dB CROSSTALK @ 1KHZ < -100dB TOTAL CORRELATED JITTER < 50pS MAX. POWER CONSUMPTION 35W STANDBY POWER CONSUMPTION <0.5W DIMENSIONS (W X H X D) 430 x 85 x 312mm (16.9 x 3.3 x 12.3’’) WEIGHT 5.0Kg (11.0lbs)

 

      

 

OPPO  BDP 103                                                                                       Per offertaTelefonare/e-mail
 

High End Oppo bdp-103 2d/3d 2 K/4 K Oppo Digital bdp-103 Multi region Code Free lettore Blu-ray 3d 4 K Upscaling a/b/c, nonché nuovo questo lettore č stato sbloccato per giocare sia Blu-ray DVD Region 0,1,2,3,4,5,6,7,8. (RegionFree). Due ingressi USB supplementare permette per una moltitudine di dispositivi collegati (si potrebbe immaginare almeno cinque possibilitŕ) rendendo il Oppo bdp-103 non solo un lettore Blu-ray Top della linea ma un processore video indipendente. RS-232 e connessioni IR rendono possibile per installatori e utenti personalizzati per integrarsi facilmente l' Oppo bdp-103 nel loro sistema di telecomando universale. 'bdp-103 č l' ultimo consumer-level universale lettore Blu-ray da Oppo. Questo č un giocatore che vengono riprodotti su ogni disco (solo circa) che hai acquistato anche se il formato č morto (no HD-DVD,). Questo significa SACD e dvd-a Lovers puň continuare ad ascoltare i dischi Legacy senza dover ricorrere a una minore Player. Il reparto bdp-103, invece, ha veramente fatto alcuni profitti nel video. mentre l' ultimo lettore č stato 3d Capable, il bdp-103 Sports Dual-Core SOC e Marvell QDEO con 4 K Upscaling. sulla parte superiore di questo, il bdp-103 puň convertire i contenuti 2d a 3d in modo che si ottiene il massimo utilizzo del vostro display 3d. La parte anteriore Sport non solo un ingresso USB, ma un ingresso HDMI che raddoppia come un ingresso MHL (Mobile High-Definition Link). Questo consente di collegare i dispositivi portatili piů facile. Puoi anche collegare il set-top box o lo streaming di rete ai dispositivi bdp-103 e sfruttare i processori video superiore del Oppo. Flipping il giocatore intorno e troverete sia piů e meno che ci si aspetterebbe. La Oppo bdp-103 Sports due uscite HDMI e un secondo ingresso HDMI. Vi č un ingresso per una connessione cablata Ethernet. Uscite audio digitale coassiale e ottico sono a bordo sono 7.1, stile RCA, uscite audio analogiche. Queste uscite di uscita puň essere configurata per 7.1, 5.1 o 2.0. Ciň che manca sul retro della Oppo bdp-103 č qualsiasi tipo di uscita video analogica. Č presente un' uscita video composito etichetta "Diag" ma questo č solo per utilizzare il menu quando non c' č la riproduzione multimediale. Questo non č Oppo s Fault. Come abbiamo precedentemente riportate, aacs prevede che il giocatore "non autorizzato che passa decodificati aacs contenuto per uscite video analogico puň essere prodotto o venduto da adottante dopo il 31 dicembre, 5.113 cm Oppo, invece di avere a che fare con altri sconfiggendo le uscite analogiche in pochi mesi, non ha proprio quelle uscite video.

 

         

 

PROCEED    PDMT                                                                                       Per offertaTelefonare/e-mail
 

 

 

 

 

CAMBRIGE DVD 300                                                                                  Per offertaTelefonare/e-mail
 

Cambridge DVD-300 č un lettore DVD che combina la leggendaria qualitŕ audio di Cambridge con un altissimo livello di prestazioni e una finitura di alta qualitŕ. Questo nuovo lettore Cambridge offre prestazioni eccezionali che sbloccano tutto il potenziale del suono DVD e dell'immagine digitale. Musica e film sono riprodotti con profonditŕ e realismo, lasciando solo una cosa: il live! Solo i sistemi molto tecnologicamente avanzati possono eguagliare le prestazioni del DVD-300 di Cambridge. Un riferimento.Decodificatore Dolby Digital multizona  Uscita DTS Bitstream Convertitore 24 bit / 96 KHz uscite digitali ottiche e coassiali Uscite S-Video, component (YUV) e video composito RGB su scart 5.1 uscite audio surround Compatibile con CD / VCD / CD-R / CD-RW / MP3 EQ regolabile tramite telecomando Pal / NTSC commutabile tramite telecomando Lettore DVD compatibile con i formati CD, CD-R / RW, MP3 Audio DTS Dolby Digital / Composite integrato PCM / 96KHz a 24 bit Video MPEG 1 e 2, Pal / NTSC Connettivitŕ Analogico: x1 stereo Down Mix, x1 in 5.1 (RCA) Digitale: x2 (Opt. E coassiale.) Video: x2 composito (RCA / Scart), Y / C (Ushiden), YUV (RCA) o RGB (Scart) configurabile tramite il menu Dimensioni: 430 x 78 x 335 mm Peso: 4,2 kg

 

 

        

 

DENON  A11                                                                      Per offertaTelefonare/e-mail
 

■ Il nuovo circuito Progressive di FAROUDJA (Uscita NTSC / PAL) Oltre al Motion Adaptive Deinterlacer, che elabora i segnali video in unitŕ di pixel, la tecnologia  video a scansione progressiva ad alta definizione č resa possibile da un processore in modalitŕ mFilm, che supporta materiale pulldown 3:2 e 2:2. La tecnologia DCDi, famosa per la sua capacitŕ  m,di elaborare linee diagonali e bordi, produce immagini omogenee, naturali e prive di disturbi. m,Il DVD-A11 č inoltre dotato di 5 modalitŕ di scansione progressive che permettono all’utente di selezionare la conversione progressiva ideale per ciascuna delle sorgenti di programma scelte fra un’ampia gamma. ■ Convertitore Video Dual a 12-bit, 216-MHz Il DVD-A11 utilizza un totale di sei convertitori D/A video 12 bit/216 MHz per trarre il massimo potenziale dalle prestazioni del nuovo circuito di FAROUDJA. Il DVD-A11 utilizza convertitori D/A indipendenti per la riproduzione delle immagini Progressive med Interlacciate. Questi convertitori garantiscono una frequenza di campionatura molto elevata, pari a 216 MHz, con una sovracampionatura 8x utilizzata per il funzionamento in modalitŕ Progressiva ed una sovracampionatura 16x in modalitŕ Interlacciata, ottenendo come risultato la conversione D/A piů precisa attualmente disponibile. ■ Sezione Video Utilizzando un filtro con estese caratteristiche di sezionamento come filtro analogico passa basso, il DVD-A11 riesce a riprodurre le delicate sfumature dei segnali video, consentendo allo spettatore di apprezzare le immagini originali al massimo livello di realismo. ■ Alimentazioni indipendenti Sono state studiate alimentazioni indipendenti per lo stadio di elaborazione del segnale audio, lo stadio del segnale video ed altre sezioni, allo scopo di eliminare le interferenze reciproche. L’alimentazione di potenza che viene fornita ai vari circuiti contribuisce ad una elevata qualitŕ delle immagini e del suono. ■ Noise Shaped Video (NSV) ■ Filtro Super Sub Alias ■ Circuito di Riduzione Rumore Rumore di fondo e sfarfallio, caratteristici problemi dei segnali video compressi in formato MPEG, vengono efficacemente eliminati per produrre un’immagine video piů naturale. Inoltre, la riduzione del rumore 3D elimina i disturbi minori presenti nell’immagine video per riprodurre splendidamente solo le informazioni video richieste. ■ Modalitŕ Pure Direct Il DVD-A11 include due modalitŕ Pure Direct che migliorano ulteriormente la qualitŕ del suono. Ad esempio, durante l’utilizzo dell’uscita audio analogica, il Pure Direct puň disattivare le alimentazioni della sezione digitale, della sezione video ed il display frontale, che potrebbero influire sulla qualitŕ sonora dei segnali audio analogici. ■ Elaborazione AL24 per tutti i canali Denon ha ulteriormente sviluppato la propria tecnologia brevettata AL24 Processing per la riproduzione delle forme d’onda analogiche, a supporto della frequenza di campionatura di 192 kHz del DVD-Audio. Questa nuova tecnologia, AL24 Processing Plus, sopprime efficacemente  il rumore di quantizzazione associato alla conversione D/A dei segnali LPCM, per riprodurre i segnali di basso livello con un’eccezionale chiarezza, che mette in luce tutte le delicate sfumature musicali. ■ DENON Link Quando il DVD-A11 č collegato tramite un apposito cavo con terminali RJ-45, ad un amplificatore A/V dotato di ingresso Denon Link, il trasferimento bilanciato di segnali offre una tensione inferiore rispetto ai cavi coassiali o non bilanciati. Dato che DenonLink č molto meno sensibile  al rumore irradiato, garantisce il massimo livello di trasferimento di segnale. L’interfaccia Denon Link č in grado di trasferire un’uscita digitale di alta qualitŕ LPCM 24-bit / 192-kHz / a 2 canali (*1). ■ Costruzione multistrato Poiché i dati ad alta densitŕ registrati su DVD devono essere letti con assoluta precisione, le vibrazioni provenienti da sorgenti esterne o interne, come l’alimentazione, influiscono negativamente sulla qualitŕ del sonoro e delle immagini. Nel DVD-A11 sono state adottate diverse soluzioni per sopprimere queste vibrazioni indesiderate. Il fondo del telaio del DVD-A11 č caratterizzato da una solida struttura a 3 strati progettata per meliminare le vibrazioni. Robuste flange di rinforzo vengono utilizzate anche sul frontale e sul retro del telaio stesso. L’aggiunta di una copertura superiore a 2 strati e di materiale isolante, servono ad eliminare le vibrazioni esterne. E la base del trasformatore č realizzata di alluminio pressofuso che assorbe le vibrazioni esterne e quelle provenienti dal trasformatore stesso per garantire un funzionamento ottimale

 

DENON  A1                                                                    Per offertaTelefonare/e-mail
 

 

Lettore digitale per DVD Audio/Video, DVD-R, DVD-RW, CD, CD-R, CD-RW, MP3, Foto JPEG e Kodak. Certificazione THX Ultra. Nuovo circuito Progressive Scan Sil504 Silicon Image (solo NTSC). 5 regolazioni video tra cui contrasto e colore. Sofisticata sezione di conversione con 8 DAC audio a 24bit192kHz. Modalitŕ Pure Direct. Elaborazione AL24. Filtri Super Sub Alias e Noise Shaped Video. Chassis in rame a struttura ibrida per lo smorzamento delle vibrazioni. Sezioni di alimentazioni separate. Decoder HDCD. Riproduzione sia PAL che NTSC. Convertitore D/A video 14bit/108MHz. Denon Digital Link. Uscite audio digitali AC-3, DTS, e PCM 24/96. Uscita analogica stereo, uscite digitali (ottico e coassiale) ed uscite analogiche separate 5.1. Ingressi digitali ottici e coassiali. 2 uscite video composito, 2 S-Video, 1 Scart RGB e 1 component. Porta RS-232. Telecomando retroilluminato glow-key multifunzione in dotazione. Finitura in nero o oro.

THX Ultra Certified • Powered by the latest Silicon Image/DVDO PureProgressive (SiI504) Decoding Engine - highest quality progressive decoding engine available • Accurate 2:3 pulldown detection and reconstruction • Optimum processing for film content, video content, graphics content and mixed-mode content • New ESS Vibratto ES6038F MPEG/DVD-Audio Decoder • New highest resolution Analog Devices 108 MHz, 4:4:4, 14 bit Video D/A Conversion system featuring Noise Shaped Video processing(progressive and interlace output) • 4x Oversampling Progressive and 8x Interlace output  • (2)Composite and (2)"S" outputs  • 2X DVD read speed; 4X CD/CD-R/CD-RW read speed; with 4MB drive buffer memory • 4:3 Squeeze and Zoom Controls • Top audio performance, featuring 8 Burr-Brown 24-bit, 192-kHz PCM 1704 Audio DACs, with 2 per Main L/R Channels in differential mode • Pure Direct Modes to defeat unneeded portions of player for the ultimate in audio performance • Full Digital Bass Management for DVD-Audio, featuring Analog Devices 32-bit processor; 80Hz crossover with 12dB high and 24dB low pass slopes; Adjustable delay time • HDCD decoding • AL24 Processing Plus • MP3 Playback • Plays Audio/Video CDs; HDCDs; DVD-Video; DVD-R/RW (conditional); Audio CD-R/RW; MP3 CD-R/RW (128 or higher kbps recommended) • JPEG photo file viewer and Kodak Picture CD compatible • 24/96 digital outputs; optical and coaxial • Optical and Digital Inputs to allow player to be used as outboard D/A converter • DENON Link for connection to AVR-5803 • Internal Copper construction, and multi-layer top and bottom plates • 3 box, 6 block internal layout to isolate analog, digital and video circuits • RS-232C and remote in/out ports • Backlit remote control • Dimensions: 17.1"w x 5.4"h x 16.2"d • Weight: 40.8lbs. • Download Setup Tips for DVD-Audio Playback in pdf format, click on tech note icon

 

      

 

PIONEER DVL 909                                                                                    €.  790,00
 

Pioneer improves on their original design by offering the DVL-909. New features and improvements include single-chip 10 bit DAC MPEG-2 video decoding system, "Personal Modes" hardware preference settings menu, MPEG-1 Video-CD playback compatibility, Composite video outputs, and "VitterBi" data buffering to reduce digital errors caused by mechanical "wow and flutter". Additional features include double-side laser disc play, dual layer DVD play, optical and coax Dolby Digital 5.1 sub-carrier outputs for both laser and DVD discs, separate loading drawers for 5" and 12" discs, full digital effects on CLV format laser discs, PCM digital output for DTS decoding, single S-video & composite video outputs, one scart loopthrough socket outputting either a composite or S-Video signal, wireless remote control, 96Khz/20-Bit digital audio decoding, on-screen graphical user interface (GUI) and CD-R playback.
 

  

 

DENON DVD 900                                                                     Per offertaTelefonare/e-mail
 

Lettore digitale per DVD, DVD-R, CD, CD-R, CD-RW e MP3. Convertitore D/A audio a 24 bit/192 kHz. Uscite audio digitali AC-3, DTS e PCM, uscita analogica stereo. Convertitore D/A video a 10 bit, 27MHz. 1 uscita video composito, 1 S-Video, 1 SCART (RGB). Pannello frontale in alluminio. Funzione di zoom x2 e x4. On screen display. Telecomando multifunzione in dotazione.Finitura in nero o oro.

Progressive Scan DVD Player • Progressive Scan featuring DCDi by Faroudja decoding engine • 3:2 Pulldown Detection • Plays CD/CD-R/CD-RW Discs, *DVD-R Conditionally • MP3 Decoder for encoded CD-R/RW Discs (128 or higher kbps recommended) • 12-bit, 54-MHz Video DAC • Burr-Brown 24-bit, 192-kHz Audio DACs • 2MB Memory Buffer to decrease layer change pauses or pickup dropouts • Selectable 24 bit, 96 kHz PCM output pass-through capability • PCM, DD, dts compatible Optical and Coaxial Digital Outputs • Component, S-Video and Composite video outputs • Passes Below Black(Pluge) for proper Monitor Calibration • Picture Zoom • Dimensions: 17.1"w x 3"h x 8.3"d

 

DENON DVD 800                                                                Per offertaTelefonare/e-mail



Lettore digitale per DVD, CD, CD-R, Video CD e DAD. Convertitore D/A audio a 24 bit/96 kHz.Uscite audio digitali AC-3, DTS e PCM, uscita analogica stereo. Convertitore D/A video a 10 bit.1 uscita video composite, 1 S-Video e 1 Y/C(SCART).Filtro Super Sub Alias. On screen display.Telecomando multifunzione in dotazione.Finitura nero I dischi CD-R registrati senza un corretto procedimento di finalizzazione potrebbero risultare leggibili soltanto in parte o completamente illeggibili.

DVD Player • Plays CD, DVD, Video CD, CD-R and CD-RW music discs • Built-in MP3 Decoder for CD-R/RW encoded discs (128 or higher kbps recommended) • 10 bit, 27 MHz video DAC • 3MB Memory Buffer to decrease or eliminate layer change pauses or pickup dropout • 24 bit, 96 kHz DACs • Real 24 bit, 96 kHz digital output capability • Dolby Digital & DTS digital outputs • Optical digital output • "S" & Composite video outputs • Subwoofer output • Component video outputs (Y, Pr, Pb) • On Screen Display • Picture Mode Adjustments • Passes PLUGE (below black) • Dimensions: 17.1"w x 3.2"h x 9.7"d

 

 

DENON DVD F100                                                                Per offertaTelefonare/e-mail


 

Lettore digitale per DVD, CD, CD-R e Video CD. Convertitore D/A audio a 24 bit/96 kHz. Uscite audio digitali AC-3, DTS e PCM, uscita analogicastereo. Convertitore D/A video a 10 bit/27MHz. Circuito Virtual Surround Sound. 1 uscita video composito. +Filtro Super Sub Alias. Telecomando multifunzione in dotazione

 

PIONEER DV 626 D                                                                 Per offertaTelefonare/e-mail


 


 

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


0Hz @ -3dB referred to C4 WETS  Xover Frequency 1,500Hz  Alignment 4th Order All Pass  Rated Impedance 8Ω  Suggested amplifiers Rated for 120W/8Ω max Average Power  Size 215x490x260mm (HxWxD)  Weight 11kg  Cabinet Finishing Solid walnut or solid cherry and HDF

 

 

INFINITY  PRIMUS   CENTER                                                                                                          €. 190,00

2 vie altoparlante Tutte le membrane in all' esclusiva tecnologia MMD di infinity Alta efficienza energetica per resa ottimale dal vostro amplificatore magneticamente schermati, puň essere sistemato anche nei pressi di TV dispositivi

 

Infinity's speakers have always been known for their crisp, clear sound, and the Primus PC250 center channel speaker is no exception. It accurately reproduces the human voice for clean movie dialogue, and provides plenty of impact for exciting home theater sound. The PC250 does a fantastic job of focusing your attention on the screen and pulling you into the action with all your movies and video games  video-shielded frequency response 80-20,000 Hz (±3dB) 8-ohm impedance sensitivity 90 dB handles up to 150 watts 3/4" MMD™ tweeter dual 5-1/4" MMD woofers acoustic suspension (sealed) design black woodgrain vinyl finish 5-way binding posts 18-1/8"W x 7-3/8"H x 9-3/4"D

 

INFINITY  DELTA CENTER     

 

 

Delta Center Channel Speaker Vocals are clear and very natural. Every nuance of the voice is perfectly reproduced. These are quite musical and elegantly designed. Sound is free flowing, crisp, and the imaging is extremely defined. This speaker has sat dormant in my back closet for the past 6 years. It was replaced w an Infinity $600 center and I still miss the crisp high imaging from this speaker. Look around for reviews and you’ll see this model is a sound bargain for discriminating ears. Absolutely no little corner dings whatsoever. Not easy to part with but speakers are meant to be heard, not sitting in a closet. Thanks for stopping by! Specs: 2-Way 100 Watt Speaker Center Channel Speaker Center Channel Speaker Sensitivity dB 1m/2.83V 89dB Impedance (ohms) 6 Bass Driver 2 x 130mm High Frequency Driver EMIT b-R Power Rating 15 - 100 watts Dimensions H x W x D 6-5/8” x 19” x 9" Frequency Response 60 - 35kHz I will ship at buyers option for shipper but I prefer FedEx Ground for cost and efficiency. The speaker will be bubble wrapped and well packed for safe transport.

 

CHARIO  PHOENIX  CENTER                                                                                                             €.  590,00

Phoenix  Il sistema Phoenix nato come canale centrale per un sistema multicanale, deve possedere particolari doti di trasparenza nella delicata gamma di frequenze del parlato. Niente di meglio di una Lynx a sviluppo orizzontale, con l'aggiunta di un secondo woofer per rendere omogenea l'emissione in presenza di piů persone che fruiscono del programma A/V. Phoenix puň essere posizionato sia sopra sia sotto il monitor TV.  Il sistema Phoenix nato come canale centrale per un sistema multicanale, deve possedere particolari doti di trasparenza nella delicata gamma di frequenze del parlato. Niente di meglio di una Lynx a sviluppo orizzontale, con l'aggiunta di un secondo woofer per rendere omogenea l'emissione in presenza di piů persone che fruiscono del programma A/V.  Low Frequency Load Vented back firing – TV screen 2π sr  Configuration 2way Symmetrical Cosine Shaped radiation  Drivers 1 Tweeter 38mm soft dome T38 WaveGuide 2 Woofer 130mm Paper Compound  Sensitivity 90 dB SPL normalized to 1m with 2.83Vrms pink noise within IEC 268-13 compliant listening room   Low Frequency Cut Off 80Hz @ -3dB referred to C4 WETS Xover Frequency 1,500Hz  Alignment 4th Order All Pass  Rated Impedance 8Ω  Suggested amplifiers Rated for 120W/8Ω max Average Power  Size 215x490x260mm (HxWxD)  Weight 11kg  Cabinet Finishing Solid walnut or solid cherry and HDF COLORE   NERO   NUOVO IMBALLATO  

Phoenix  The Phoenix system is a multi-channel stereophony dedicated central speaker. Because its primary job is to deliver a full intelligible message, both transparency and detail were assumed as absolute design target. Nothing is better than a small speaker for reproducing sound nuances. So we decided for a symmetrical horizontal array of Lynx drivers. This solution let the viewers at both sides of the “sweet spot” to wholly perceive dialogue information or centre-line musical sources without altered timbre or fuzzy localization cues. Either of top or under TV screen positioning is allowed, preferably at the same height of front speakers.  Low Frequency Load Vented back firing – TV screen 2π sr  Configuration 2way Symmetrical Cosine Shaped radiation  Drivers 1 Tweeter 38mm soft dome T38 WaveGuide 2 Woofer 130mm Paper Compound  Sensitivity 90 dB SPL normalized to 1m with 2.83Vrms pink noise within IEC 268-13 compliant listening room  Low Frequency Cut Off 8

 

 

 

INFINITY  KAPPA CENTER B                                                                                                                €. 790,00

 

Altoparlanti 2x13cm woofer 8 cm  midrange  tweeter  emit-b- risposta  in  frequenza 70hz -45khz 2db  - Frequenza  di taglio 600hz ,4khz- efficenza 88db/2.8v/1m- impedenza 6 ohm- Misure  509x230x270 mm- Potenza  10w-150w - Peso 12.5 kg.

 

 

B&W 805 S                                                                                                                                             €. 750,00

 

SOLO  1  Diffusore  adoperabile  per  esempio  canale  centrale

 

B&W  SCM1                                                                                                                                                €. 700,00

 

MISURE 44 x 37 x 16 cm  1  SOLO  1  Diffusore  adoperabile  per  esempio  canale  centrale.

 

 


Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it

 


 

 

REL STADIUM ll                                              Per offertaTelefonare/ invia  un e-mail

REL Stadium III on test By Jason Kennedy  Overview: Price: Ł1500 Website: www.rel.net Size: HxWxD - 55.8x59x39cm Weight: 50kg Finishes: Black ash, cherry, light oak, rosenut, walnut Drive unit: 250mm long throw Power: 200 watts REL is a small dedicated company based in Bridgend, south Wales and committed to bass. It could be argued quite easily that REL founder Richard E. Lord put the subwoofer or sub-bass loudspeaker system on the hi-fi map. Before he appeared on the scene the subwoofer was not the kind of thing any self respecting audiophile would consider giving house room to. This may have been because most of the species were sold with satellite loudspeakers or simply because no one had made a serious subwoofer before, one that could enhance rather than muddy the quality of regular speakers.The key feature that makes REL subs so easy to get a good result with is the ability to adjust the roll-off point of the sub so that it marries seamlessly with the stereo speakers. REL subs are not designed to increase the amount of bass produced by a system but to extend the bandwidth of the existing speakers. For a stereo speaker to be able to extend down to the 12Hz (-6dB) claimed for the Stadium III it would have to be as big as a fridge, a big fridge at that. The reason the REL is able to do that with a 65 litre cabinet is that it is actively driven, it has its own 200 watt MOSFET power amp and electronic crossover which means that it can boost the output at very low frequencies. In other words it drives the big ten inch Volt drive unit harder therefore producing more bass energy.Another reason for REL's success is inclusion of both high and low level signal inputs, this means that you can feed the sub exactly the same signal that you send to your speakers via the high level input. The connection is made with a three core cable that hooks up to your amplifier's speaker outputs. There is of course the low or line level input but this is really only appropriate for surround sound processors which have a dedicated LFE (low frequency effects) output. Sound quality To integrate the Stadium III with your speaker traditionally requires that you roll the sub in at the point your speaker rolls off and then set output level to match the speaker. However, I have found that if you set roll off three or four dB higher than the speaker's roll-off and turn the output level down a bit you can get a better result. There are many surprising aspects to the sound of this sub not least being the way that it enhances the high frequency performance of all the speakers I have tried it with. It introduces a sense of open spaciousness that is hard to accredit to an improvement in low frequency extension and power. It must be something to do with the way that bass defines a space but is not an easy phenomenon to explain. Yet it is not in the least bit subtle and gives the REL considerably more appeal than you would expect an extra octave or two in the bass to produce.The bass does of course help matters considerably, it adds a foundation to the sound that gives the rest of the range something to work from, something solid. This seems to apply regardless of the bass content of the music. There is a tendency to think that only your Prodigy and Grace Jones albums will sound a lot better with a decent sub but the Stadium III boosts everything you play. The more familiar and well loved the album the more exciting the result, even albums like Jeff Beck's Wired, which is clearly fantastic yet can sound compressed, takes on a whole new sense of purpose and solidity with this sub.All this is achieved without you thinking wow there's loads of bass, in other words you are not skewing the balance of your system, the main speakers sound the same but better. And if you turn the sub off you don't think where has the bass gone, you think why is the sound small and relatively flat. You can set it up so that it goes boom and everyone knows there's a sub in the room - which can be fun I'll grant you - but for long term musical satisfaction an integrated sound is the way forward, the approach that's going to reveal more of the music and the venue it's played in. leads for installation flexibility  Finished in 30mm MDF in Brittex Blac

MIRAGE 7X/S8                                   Per offertaTelefonare/ invia  un e-mail

PIONEER S-W505       Per offertaTelefonare/ invia  un e-mail


 

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BLU NOTE  PICCOLO                                                                   Telefonare/ invia un e-mail


 

 

THORENS  TD321                                                                   Telefonare/ invia un e-mail

 

 

THORENS  TD160 MKII                                                    Telefonare/ invia un e-mail

 Description Despite it's moderate price, this handsome slim line integrated transcription turntable shares many of the advanced engineering features and refinements of the highly sophisticated Thorens TD-125 mark II series. For example, the identical TP-16 tonearm and belt-driven synchronous motor used in the Thorens TD-125 mark II are incorporated in the TD-160C. In addition, it comes complete with a walnut base and dust cover. Here's the traditional quality and precision you have come to expect from Thorens, at a moderate price

 

 

THORENS  TD160B MKII                                                    Telefonare/ invia un e-mail

 

 

 

THORENS  TD318                                                                    Telefonare/ invia un e-mail


Drive method: one step belt drive Motor: low voltage 16-pole synchronous motor Speeds: 33 and 45rpm Speed control: 2-phase generator Platter: 2.7kg, 300mm, zinc alloy, dynamically balanced Wow and flutter: 0.04% Rumble: -70B Tonearm effective length: 232mm Effective mass: 12.5g Overhang: 16.4mm Offset angle: 23 degrees Dimensions: 440 x 350 x 170mm Weight: 10.5kg

 

 

PROJET  6 PERSPEX NC 503                          Telefonare/ invia un e-mail

 

THE PERSPECTIVE HAS a main plinth made of Perspex -hence the name and the pair of gloves provided to avoid fingermarks while handling the deck- above which floats the main bearing assembly on a trio of damped supports. The whole shebang's levelled via the three adjustable spike feet and spirit-level located on the arm mount, while the arm is the by-now familiar Pro-ject 9. The price excludes a cartridge, which seems a very good match.However, the really clever bit about the Perspective is its turntable drive system. There's a subplatter, onto which the main platter -made of composite with a layer of vinyl bonded on, and with a large screwdown clamp a la RPM 4- is fitted. But the drive belt goes right round the perimeter of the main platter and is powered by an exposed motor out to the rear left corner of the plinth. And rather than hooking the belt up and down on pulleys or having an electronic speed switch, the Perspective has separeted motors for the two common speeds -33.3 and 45 rpm-. Changing speed is a matter of disconnecting the drive belt and 16V AC power supply from one motor, undoing a thumbscrew under the plinth to release is, the lifting it out and bolting in the other motor. Yes, this is a bit of palaver, but it does allow Pro-ject to optimize the motors for the respective speeds, rather than having the compromise of the belt riding higher or lower. And it pays off in the assured, taut rhythmic ability of the Perspective, which is just as good pounding out drive dance tracks as it is with big complex orchestral pieces. There's that warmth and lightness of touch that vinyl's know and loved for, and the soundstage created is entirely natural and smoothly delineated.We could easily get really into vinyl again with a deck like this. It sounds great and looks like the kind of exotica you see from firms like Transrotor and Clearaudio -but for a fraction of the price.

 

PIONEER   PL800                                                              Telefonare/ invia un e-mail

 

 

 

PROJET  DEBUT  III PHONO USB  ( DEMO)                          Telefonare/ invia un e-mail

 

Giradischi fornito di uno stadio Phono USB integrato per archiviare gli LP su computer. Pro-Ject Debut III con unitŕ phono USB integrata. La massima convergenza tra il mondo del vinile e quello della multimedialitŕ  Assolutamente rivoluzionaria l’innovazione offerta da Pro-Ject al mondo audio. L’ultimo giradischi prodotto dall’azienda austriaca, infatti, č fornito di uno stadio Phono USB integrato per archiviare gli LP su computer: la prova tangibile e affascinante di due realtŕ che finalmente si incontrano, ottenendo il meglio l’una dall’altra. Il Debut III Phono USB, forte della migliore tradizione in cui si inserisce, si avvicina dunque al settore informatico mantenendo comunque la sua identitŕ. Il giradischi č compreso di braccio e di testina Ortofon OM5E, trazione a cinghia, velocitŕ 33/45 giri, motore sincrono AC e puleggia metallica isolati dallo chassis con una sospensione in gomma a quattro punti. Il braccio dritto da 8,6” č in alluminio ed č caratterizzato da altezza,azimuth e VTA regolabili. Il giradischi č inoltre fornito di alimentatore separato per eliminare le interferenze. Colore disponibile nero.

 

 

SIMSTEMDEK                                                               Telefonare/ invia un e-mail

 

 

 

 

 

 

 

TECHNICS SL1700                                                                Telefonare/ invia un e-mail


 
The SL-1700 offers the famous Technics direct drive system with the added convenience of semi-automatic operation. Once the tonearm is manually positioned over the lead in grooves, the automatic mechanism will lower the tonearm onto the record when the lever is flicked, and automatically return it to the arm rest at the completion of play. The unit is then automatically shut off.  This handy feature frees the user from rushing to the turntable at the end of record play and also saves wear on your stylus.  At any time during play, flicking the stop lever will cause the tonearm to automatically lift up and return to the arm rest. Specifications Type: semi-automatic turntable Drive method: direct drive Motor: servo DC motor (mk1), brushless DC motor (mk2) Platter: 330mm (mk1), 332mm 2kg (mk2) Speeds: 33 and 45rpm Wow and flutter: 0.025% WRMS Rumble: -73dB (mk1), -78dB (mk2) Tonearm: universal s-shaped tubular arm Effective length: 230mm Overhang: 15mm Offset angle: 21.5 degrees (mk1), 22 degrees (mk2) Weight: 8.8kg (mk1), 10kg (mk2)

 

MARANTZ  TT42                                                                                           €.     200,00 

                                    

Motore DC servo low noise, Trazione a cinghia, Telaio flottante, 33 1/3 & 45 rpm, Avvio automatico, Ritorno automatico braccio ed arresto

The analogue recording is still very alive. Quality turn-tables are still in demand. Digital discs simply set new performance standards up to which turntables must measure. Many cherished records may never be issued on digital formats and for those good turntables is now more important than ever. Marantz embraces an audiophile quality turntable with DC servo beltdrive and low-coloration tone-arm to answer the need for a high performance source component for the analogue record. The TT-42 is here to stay. DC Servo motor belt-drive system ensures accurate speed and rumble-free sound reproduction Full Automatic Operation for easy and comfortable operation protects stylus from damage Two speed selection plays both 33 1/3 and 45 rpm records MM Cartridge is compatible with a vast majority of the amplifiers and phono equalisers

 

 

dual 505                                                                                    Telefonare/ invia un e-mail

 

Floor vibration and acoustic feedback are frequent external sources of interference.Vibrations can be transmitted to the record player with each step, and sound energy from the loudspeakers can be fed back acoustically to the record player through the air or through a piece of furniture. To minimise these unwanted effects, the Dual CS 505 uses a floating chassis. In the Dual 505, a great deal of technical expertise has been applied to acoustically decouple the entire turntable drive unit from the remainder of the casing.As a result, external interference is filtered out so effectively that it no longer has any audible effect on the music.The anti-resonance mat used on the CS 505 filters and counteracts resonances which can be transmitted through the record player to the record. Specifications Drive: Dual 16-pole SM 100-1 synchronous motor with precision flat belt for flywheel driveStarting time: 2 to 2.5s Platter: 304mm, 0.9kg, non-magnetic, removable Speeds: 33.33 and 45rpm nPitch control: 6% nWow and flutter: 0.05% WRMS Rumble: 69dB Tonearm: distortion free ultra low mass aluminium tubular tonearm in 4 point tip bearing

 

dual 506                                                                                    Telefonare/ invia un e-mail

 

Floor vibration and acoustic feedback are frequent external sources of interference.Vibrations can be transmitted to the record player with each step, and sound energy from the loudspeakers can be fed back acoustically to the record player through the air or through a piece of furniture. To minimise these unwanted effects, the Dual CS 506 uses a floating chassis. In the Dual 506, a great deal of technical expertise has been applied to acoustically decouple the entire turntable drive unit from the remainder of the casing.As a result, external interference is filtered out so effectively that it no longer has any audible effect on the music.The anti-resonance mat used on the CS 506 filters and counteracts resonances which can be transmitted through the record player to the record. specifications   Drive: Dual 8-pole synchronous motor with precision flat belt for flywheel drive   Starting time: approx 2s Platter: 304mm, 1.1kg, non-magnetic, removable Speeds: 33.33 and 45rpm Pitch control: 6% Wow and flutter: 0.04% WRMS Rumble: 70dB  Tonearm: torsion resistant tubular aluminium  Effective length: 221mm  Stylus pressure: 0 to 3g

 

 

ONKYO  CP1055 FB                                                               Telefonare/ invia un e-mail

 

 

THORENS  TD105                                                                     Telefonare/ invia un e-mail

  Description The Thorens TD 105 semi-automatic, high-fidelity turntable incorporates advanced technical features to afford true state of the art performance. It employs a special Thorens suspension system for the floating chassis and an exclusive Isotrack tonearm with precision bearing assembly and low-mass construction which enables optimum tracking characteristics to be realised with modern pickup cartridges. The TD 105 also employs a velocity sensitive electronic shut-off which raises the tonearm, returns it to it's rest, and stops the motor. The electronic shut-off at the end of a record operates without frictional contact with the tonearm, ensuring precise performance and full protection of the record and pickup stylus. All operating functions are initiated by electronic switching keys which respond to a light touch of the finger. Specifications Drive method: 1 step belt drive Motor: dc motor with 72 pole tacho-generator Speeds: 33 and 45rpm Speed control: electronic Pitch control: +-6% Platter: 300mm, 1.3kg zinc alloy, dynamically balanced Wow and flutter: 0.05% Rumble: 65dB Tonearm effective length: 222mm Effective mass: 7.5g Overhang: 15.5mm Offset angle: 23 degrees Dimensions: 435 x 125 x 355mm Weight: 5.5kg

 

TELEFUNKEN S800                                                              Telefonare/ invia un e-mail                                          

 


 

 

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


          

 

MARK LEVINSON  N° 40   

Nella storia della Mark Levinson ci sono stati molti prodotti che hanno rappresentato vere e proprie pietre miliari. In quest’illustre gruppo figurano il pre phono JC-1 (1972), il preamplificatore ML-1 (1977), i finali mono ML-2 (1977), il primo componente “Reference”, il finale mono N°20 (1986) e i leggendari Processore Digitale Reference N°30 (1991) e Pre Reference N°32 (1999). Questi prodotti, sin dalla loro presentazione, erano ovviamente destinati a diventare dei classici. In molti casi questi classici erano notevolmente piů costosi di qualsiasi altro prodotto della stessa classe, e spesso offrivano meno funzioni (o meno potenza) rispetto ad apparecchi concorrenti. Tuttavia sono diventati dei classici. Questi ed altri leggendari prodotti Mark Levinson condividono una straordinaria caratteristica, surclassando, infatti, qualsiasi altro apparecchio della loro categoria.  Il motivo principale per possedere un prodotto Mark Levinson č il livello delle prestazioni offerte, e sono proprio le eccezionali prestazioni quello che caratterizza il Media Console Mark Levinson N°40. Il N°40 č probabilmente il prodotto piů innovativo dei 29 anni di storia del marchio, sicuramente destinato ad entrare nella lista dei classici. Come i prodotti Reference anche il N°40 va considerato uno spartiacque, rappresentando una transizione importante tra come sono stati progettati i prodotti nel passato e come lo saranno nel futuro. Come i prodotti Reference il N°40 ingloba una raffinata esecuzione di molte tecnologie sviluppate e sperimentate in apparecchi Mark Levinson precedenti, insieme a nuovi dispositivi e nuove tecniche. Molte innovazioni tecniche sviluppate per il N°40 troveranno spazio in futuri progetti Madrigal. In effetti, č giŕ successo: sia il CD Processor Mark Levinson N°390S, di eccezionali doti timbriche, che il Proceed AVP2, nuovo pre audio/video, ne hanno giŕ beneficiato. Perché, allora, il N°40 non č stato designato come prodotto Reference? Per quanto buono sia, infatti, il N°40 non eguaglia le prestazioni di quattro Pre Reference n°32 e di quattro Processori Reference N°30.6. Le sue prestazioni sono molto vicine ai prodotti Reference, e la combinazione del N°40 con i N°32 e N°30.6 offre grandi risultati. Configurazione modulare Il N°40 č un progetto modulare in grado di accettare le piů svariate configurazioni: la sua configurazione standard viene incontro alle esigenze della maggior parte degli impianti. Sia il processore audio che quello video hanno diversi “slot” liberi per espansioni tramite i moduli opzionali, dei quali alcuni giŕ disponibili: moduli per ulteriori ingressi/uscite, per ulteriori R-Zone, per speciali esigenze di comunicazione, per interfacce sicure audio o video, per la gestione avanzata video, per risorse addizionali DSP. Configurazione Standard del N°40 3x ingressi compositi 6x ingressi S-Video 3x ingressi video component 6x SPDIF su RCA 4x Toslink 2x AES/EBU su XLR 1x SPDIF su BNC 1x coppia audio analogica bilanciata su XLR 6x coppie audio analogiche sbilanciate su RCA 8 canali audio principali d’uscita (bilanciati e sbilanciati) Uscite principali Composita, S-Video e Component 2x R Zones (zone remote/record, audio e video) Interfaccia utente grafica  La caratteristica del pannello frontale che attira maggiormente l’attenzione č la presenza di un piccolo schermo LCD sul processore video. Questo schermo puň essere usato in molte, utili, maniere inclusa quella di accedere a tutti i menů di setup e relative opzioni di controllo attraverso la nostra interfaccia utente grafica (GUI).

                             

 

 

 

DENON A1HDA                                                                                                                                    €.  3.000,00

 

Preamplificatore HD Surround per applicazioni A/V certificato THX Ultra 2. Decodifica Dolby Pro Logic IIx, Dolby Digital, Dolby Digital EX, Dolby True-HD, Dolby Digital +, DTS, DTS ES, DTS 96/24, DTS-HD MASTER AUDIO, DTS HD High Resolution Audio, THX Ultra 2, THX Surround EX, HDCD. Dolby Headphone. 3 processori SHARC 32-bit. Convertitore D/A audio a 24 bit/192kHz per tutti i canali. Elaborazione AL24 Advanced. Nuovo DDSC-HD. Auto Setup e Auto Room EQ con mic. e MultiEQ XT Audyssey. Audyssey Dinamic EQ. Audyssey Dinamic Volume. Protocollo CEC per HDMI. 6 in e 2 uscite HDMI 1.3a, 36bit Deep Color, spazio colore xvYCC. Funz. Restorer audio compresso. 2 in USB con dec. MP3, WMA, AAC e FLAC. Internet Radio. 1 Ethernet. Denon Home Network. Wi-Fi IEEE 802.11 b/g. In Dock Control per basi ASD per iPod (opzionale) con controllo da telec. preamp. In e out multicanale 9.3, uscite pre XLR 9.3. RS232 e Denon Link 3. Conversione video con scaler interno fino a 1080p su HDMI. Ingressi video: 8 S-Video, 8 compositi e 6 component. Uscite video: 4 S-Video, 4 compositi e 2 component. Multi Zone fino a 4 stanze. Nuovo telec. elettrolum. + telec. per zona remota. Finitura Premium Silver

.For the ultimate home theater experience, Denon presents the ultimate A/V surround sound and video processor – the AVP-A1HDCI. With features and capabilities simply not found on any other controller, the AVP-A1HDCI sets the standard for both audio and video processing ability, along with state-of-the-art next-generation digital media connectivity with built-in Ethernet and Wi-Fi (802.11b/g) that lets you access music and photo files as well as Internet radio stations. An optional adapter lets you stream your favorite songs and videos from your iPod. Built with uncompromising attention to detail, the AVP-A1HDCI is equipped with an astonishing six individual power transformers to ensure the ultimate audio and video fidelity, eliminating interference between the various audio and video processing sections. Featuring unparalleled audio connectivity, the AVP-A1HDCI is equipped with 12 high definition video inputs (6 HDMI v1.3a/6 component) and an additional 16 standard definition inputs, with deinterlacing, upscaling and conversion to HDMI outputs via the Silicon Optix HQV Realta reference video processor. THX Ultra2 certified Processor All new circuit layouts that shorten audio and video signal paths for best picture and sound Discrete Devices for ultimate performance in each circuit block (D.D.S.C.-HD) Dolby TrueHD and DTS-HD Master Audio decoders To preserve original sound quality for the room's acoustics at any volume level, Audyssey Dynamic EQ loudness correction technology Realta sxT2 HQV processing for i/p and scaling Deep Color (30/36-bit) and xvYCC broader color space support Discrete construction and circuitry for highest quality video processing HDMI to HDMI scaling up to 1080p HD/SD video noise reduction functionality Network Audio and Photo Streaming Compressed Audio Restorer to enhance digital music files New user interface for easy operation, setup and digital media browsing (G.U.I.) GUI-assisted operation even during 1080p output from HDMI Dual HDMI outputs enabling simultaneous output to video projector and flat panel Three Analog and One Digital, Four Zone multi-source capability Zone 2 OSD with text, Album art is also available Web setup, save and load all settings via Ethernet

      

 

PROCEED PAV 1                                                                                                                                          €.  750,00 

 

Proceed PAV Info: Description: Full-function surround-sound audio/video preamplifier with Pro Logic, THX, and music modes. Frequency response and THD: not specified.  S/N ratio (main outputs): >80dB at 0dB output.  Gain: 14dB (nominal). Gain range: -60dB to +14dB.  Gain resolution: 0.5dB except at lowest levels. Input overload: >2V RMS (0dB output).  Input impedance: 100k ohms (single-ended).  Output impedance: ±20 ohms.  Maximum output: 10V RMS (balanced). Audio inputs: 2 balanced, 8 single-ended. Audio outputs: 1 set stereo main (L&R), balanced; 2 set stereo remote (balanced and unbalanced); 6 single-ended main (L, C, R, Sub, LSur, RSur); 4 sets record out (2 sets each VCR and tape).  Video inputs: 4 composite video, 4 S-video (Y/C).  Video outputs: 4 composite video, 4 S-video (Y/C). Dimensions: 17.25" W by 4.45" H by 13.27" D. Weight: 27 lbs (shipping). Price: $4195  Proceed PDSD Info: Frequency response:20 Hz – 20 kHz, +0dB, –0.2dBTotal harmonic distortion:0.005% @ 1 kHz, A-weighted Maximum output (XLR):10 V rms Maximum output (RCA):5 V rmsDynamic range:100 dB (or better) Signal to noise ratio (balanced outputs):105 dB (ref: 0 dB output) Channel separation:better than 100 dB Analog filter:Bessel-tuned, linear phase to 40 kHz Low-level linearity:deviation less than 1 dB to -90 dB FS(1 kHz, 20 bit data, 80 kHz measurement bandwidth) Volume range:126 steps Volume resolution:0.5 dB steps above 16 in display,gradually increasing step size at lower levels Digital inputs:6 S/PDIF electrical on RCA2 S/PDIF electrical on BNC1 AES/EBU electrical2 each EIAJ optical RF Demodulator input:Digital Input 11 (w/opt. RF demodulator card) Digital input impedance:75Ω (S/PDIF electrical)110Ω (AES/EBU electrical) Other inputs:6 channel PAV analog pass-through Digital output:1 RCA (S/PDIF) on remote zone card Digital output impedance:75Ω (S/PDIF electrical) Main analog outputs:6 balanced outputs6 single-ended outputs Analog output impedance:10Ω Available trigger current:80 mA per outlet Power consumption:less than 70 W Shipping weight:34 lbs. (15.5 kg)

 

 

     

 

ROTEL  RSP 1068

 

Preamplificatore/Processore stereo A/V con display TFT frontale. Decoder Dolby Pro Locic II, Dolby Digital/AC-3, Dolby Digital EX, DTS ES, DTS96/24 e DTS. Decoder HDCD e MP3. Modalitŕ Rotel XS (Extended Surround) per la riproduzione di una qualsiasi sorgente in ingresso tramite 5, 6 o 7 canali. Regolazione del taglio del crossover per il subwoofer. Ingressi/uscite video composito, S-Video e component. Conversione Video. Multi Room. On screen display. Presa RJ45 per aggiornamenti software. 3 Trasformatori toroidali. Telecomando programmabile multifunzione RR-1050 in dotazione.Disponibile in finitura Black

  

AERON AV 1300                                                                                                                                          €.  350,00           

AV 1003 HOME THEATRE 7.1 Come nell'hi-fi, anche nell'home cinema i sistemi piů pregiati sono realizzati tenendo distinte la gestione delle sorgenti dalla gestione delle potenze: al posto di un unico telaio che racchiude la sezione digitale, la sezione di pre-amplificazione e i canali di potenza, si preferisce affidare le funzioni "delicate" ad un apparecchio che stia lontano dalle grandi energie e dai loro influssi sulla purezza dei segnali; la parte "muscolare" sarŕ affidata ad un amplificatore massiccio ma autonomo ed adeguatamente distante. Con questo approccio abbiamo realizzato il pre/decoder AV-1003, capace di fornire otto canali decodificati ("7.1") che sfruttano i piů recenti processi surround (THX-EX e DTS-ES) in aggiunta ai piů classici Dolby Digital e DTS. Non manca l'elaborazione Pro Logic II, utile non solo per materiale codificato Dolby Surround ma anche per donare ambienza a materiale stereofonico, che acquisterŕ maggiore realismo.

 

 

 

NAKAMICHI  CA1                                                                                                                                         €.  990,00  

 

 

DENON f100                                                                                                                                               €.  300,00      

 

         

 

ROTEL  D A980                                                                                                                                         €.  280,00       

 

Digital surrond adpter PROCESSORE ac3-pro logic  AUDIO VIDEO  3 INGRESSI

 


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AERON  A07                                                                                                                                                           €.   850,00

 

A 07 Con i suoi sette canali da 120 watt rms, l'A-07 č uno degli amplificatori piů potenti oggi disponibili. Il progetto č stato elaborato per dar vita ad un apparecchio prestigioso, inappuntabile sotto il profilo qualitativo e stupefacente come potenza pura. La sua massa di ben 28kg toglie ogni eventuale dubbio sul dimensionamento elettro-meccanico, garante dell'affidabilitŕ e della tenuta in potenza a lungo termine. Partner naturale del pre/decoder AV-1003, quest'apparecchio (robusto meccanicamente ed elettronicamente, ma delicato musicalmente) č l'amplificatore ideale per i sistemi home cinema che richiedano sette canali, elevate potenze e  Dati tecnici Power output 7 x 100W rms / 8 ohm Power output 7 x 160W rms / 4 ohm All power figures at 20Hz-20kHz, 0,1% THD Sensitivity 1V / 47k ohms Frequency response  20Hz-20kHz +/- 0.5dB Signal to noise ratio >95dB at 100W (A weighted) Harmonic distortion <0.1% from 20Hz to 20kHz, 1 to 100 watts Intermodulation distortion <0.2% (IHF A) Power supply 230V, 50/60Hz Absorption 1100 VA Dimension (WxHxD) 430 x 200 x 460 mm Finish Black or Silver Weight 23 kg

 

 


 

Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


 

 

 

PIONEER VSX-924                                                                                Per offertaTelefonare/e-mail
 

 

sintoamplificatore AV ti offre fino a 150 Watt di chiara riproduzione dell'audio su tutti e 7 i canali. Il modello VSX-924 si collega pressoché a qualsiasi dispositivo: supporta AirPlay, MHL, HTC Connect e DLNA per l'audio in rete. Riproduce persino i file multicanale WAV e FLAC 96 kHz/24 bit via USB e DLNA. Questo sintoamplificatore AV ti offre, inoltre, l'accesso diretto a Spotify e alla radio su Internet vTuner. Puoi eseguire lo streaming della musica senza fatica tramite il protocollo Bluetooth integrato e compatibile con il formato aptX, che comprime i file audio per una trasmissione wireless, senza influire sulla qualitŕ. Il modello VSX-924 č predisposto per il pass-through Ultra HD 4K dei segnali video in un display compatibile. Esegue poi l'upscaling dei segnali a risoluzione piů bassa a 4K Ultra HD (fino a 60p), cosě potrai goderti immagini della massima qualitŕ attualmente disponibile. Grazie al convertitore I/P e alla tripla riduzione del rumore HD, questo sintoamplificatore AV esalta al massimo le prestazioni video. Buono a sapersi: la potente uscita audio zone 2 ti permette di guardare il tuo film preferito in una stanza, mentre altri ascoltano la musica in un'altra.Channels: 7 Amplification Type: Direct Energy 150 W/ch (6 ohms 1 kHz THD 1.0 % 1ch Driven) 105 W/ch (8 ohms 20 Hz-20 kHz THD 0.09 % 1ch Driven) Dolby® TrueHD/Dolby Pro Logic IIz/Dolby Digital Plus DTS-HD Master Audio/DTS-ES/DTS Neo:X | 7.1 DSD Music File Playback via Network/USB (2.8 MHz) DSD Disc (SACD) Playback via HDMI (2.8 MHz) Digital Core Engine with Texas Instruments Aureus™ DSP Hi-bit24 Audio Processing SABRE™ Premier Audio DAC (ES9006S) for 7.2ch HDMI Audio Return Channel (ARC) Pioneer Advanced MCACC Room Calibration Phase ControlAuto Phase Control Plus/Phase Control Plus Standing Wave Control 3D Time Axis Measurement Polarity Check Automatic Crossover Detection Reverb Before and After Calibration Results (AVNavigator for iPad) Subwoofer EQ (4 Band) Pioneer Sound Enhancements PQLS Bit-stream/Multi-Surround/2chAdvanced Sound Retriever (Multi-ch)Sound Retriever LinkAuto Sound Retriever/Auto Sound Retriever for ARCAuto Level Control (Multi-ch) Virtual Speakers (Wide/Height/Surround Back)Virtual Depth Advanced Surround Modes Action, Drama, Advanced Game, Sports, Classical, Rock/Pop Front Stage Surround, Extended Stereo Sound Retriever Air, Phones Surround ECO Mode 1, ECO Mode

 

 

MARANTZ  SR-7000                                                                                   Per offertaTelefonare/e-mail
 

 

FEATURES • Dolby Digital ® and DTS ® surround sound decoding and and a variety of additional surround modes) -defect-• dolby ProLogic ® decoding • 100 watts (at 8 ohms) in each of the five main channels • Wide range of digital and analog audio and video inputs, outputs and switching equipment including S-video switching, front panel A / V inputs and five digital inputs • Precision AM / FM tuner with 50 station memory and automatic station memory • Multi-room operation enables the control of a second zone audio / video system • Six-channel inputs and direct six-channel preamp outputs • Programmable learning remote control • Fluorescent lamp front display and user-friendly on-screen menu system

 

MARANTZ  SR-8300                                                                                  Per offertaTelefonare/e-mail
 

 

Improved RS232C upgreadability, along with powerful upgrades like DTS 96/24, Circle Surround II and Precision Decode Plot characterize the incredibly versatile and flexibile Marantz SR8300. Accompanied by the RC3200 learnable remote control the SR8300 takes you on a journey of passion and enjoyment in both music and movie productions. You?ll experience a wider frequency response and more favorable aural characteristics along with outstanding user friendly navigation and control.Specifications Tuning range: FM, MW, LW Power output: 105 watts per channel into 8Ω (stereo) Surround output: 105W (front), 105W (center), 105W (rear) Frequency response: 8Hz to 100kHz Total harmonic distortion: 0.08% Input sensitivity: 168mV (line) Signal to noise ratio: 105dB (line) Digital inputs: coaxial, optical Video Connections: composite, SVHS, scart Dimensions: 440 x 480 x 184m  Weight: 19.3kg Accessories: RC3200A remote control

 


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TEAC   W585R                                                                                                                                 €.    299,00                         

Piastra doppia cassetta TEAC W585R dotazione veramente completa : doppio motore per ogni piastra, telecomando, DOLBY B C HX PRO, ingresso stereo per microfono, autoreverse

 

TECHINICS    RSB106                                                                                                                                   €.    170,00                         

 

The main features of the Technics RS-B106 are: 2 heads, electronic tape counter with 3 digits, manual tape type selection with support for normal, chrome and metal tapes, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the left side of the deck. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well.Level meters used on the RS-B106 are generic digital peak reading meters with multi-color indication to provide visual saturation level of tape. Soft-touch controls for fast and easy transport function selection of the RS-B106. The Dolby-B system reduces tape hiss on tapes recorded on the RS-B106 by as much as 10 dB at the highest frequencies. To make live recordings this deck has 2 microphone inputs to connect microphones with a jack connector. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a

 

       

 

NAKAMIKI   CR-5                                                                                                                                                €.    990,00 

 

The Nakamichi CR-5A cassette deck is aimed at the audiophile who insists on uncompromised engineering but is willing to forgo a few costly special features. It is a three-head, three-motor, dual-capstan unit with Dolby B and Dolby C noise reduction, user-adjustable bias, and memory-rewind and automatic-repeat functions. In all essentials, the CR-5A is identical to the $1,350 Nakamichi CR-7A.Nakamichi is one of the few companies that design and manufacture their own tape heads, and the three-head configuration of its decks permits each head element to be optimized for its function. Most three-head decks use a so-called "sandwich" head construction in which the record and playback elements are contained in a single case. Nakamichi feels that such a design compromises accuracy of alignment and increases bias leakage from the record to the playback head gaps, which can result in Dolby mistracking. The separate record and playback heads of the CR-5A are completely independent units, each with a full set of alignment adjustments. And instead of the Sendust alloys generally used, Nakamichi's heads are made of Crystalloy, a softer but magnetically more linear material. The CR-5A's heads have a rated lifetime of 10,000 hours.The CR-5A's primary capstan is direct-driven by a DC servomotor. The secondary capstan-which rotates slightly more slowly, creating the tension that holds the tape against the heads-is belt-driven. The use of dual capstans with different rotational dimensions and masses, made of different materials so as to inhibit sympathetic resonance, is said to be responsible for the extremely low wow-and-flutter ratings of the CR-5A. Further, the tensions within the tape path are designed to permit proper tape/head contact without using a cassette's built-in felt pressure pad. In an arrangement unique to Nakamichi decks, the pressure pad is automatically pushed away from the playback head by a boss on the head shield. This is said to result in lower scrape flutter and modulation noise. The second DC motor is used for the reel drives, and the third is used with a cam mechanism to operate the head-gate without the jarring produced by solenoids.Tapes are loaded into a conventional cassette well where sensors detect the tape type and automatically switch to the appropriate bias and equalization. Unlike most decks, however, the CR-5A provides a manual override that allows the user to switch, for example, to 120-microsecond playback EQ for nominally "high-bias" prerecorded tapes requiring this setting. Bias is adjustable on the front panel, although the user must do the fine-tuning by ear since the CR-5A lacks the sophisticated automatic calibrating system of the CR-7A. We found, however, that patiently adjusting the bias to match the recorded sound of FM interstation hiss as closely as possible with the source was a reasonably good substitute for instrumentation.The record-level indicators on the CR-5A are large, easily legible, peak-reading fluorescent displays. Their twenty-four segments per channel are calibrated from -40 to + 10 dB, with the IEC standard 0-dB level of 250-nanoweber/meter set at +1 dB. The four-digit tape counter does not indicate elapsed or remaining time. In addition to the Dolby noise-reduction selectors, a switchable FM multiplex filter is provided, together with a switch for an external timer. While there are no microphone inputs, the CR-5A does offer dual-speed fade-in/fade-out buttons and a playback level control.Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record, 1 x playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x mechanism Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 20kHz (Metal tape) Signal to Noise Ratio: 72dB (dolby C) Wow and Flutter: 0.027% Total Harmonic Distortion: 0.8% Input: 50mV (line) Output: 0.5V (line) Dimensions: 435 x 135 x 306mm Weight: 8.5kg

                 

NAKAMIKI   LX-3                                                                                                                                         €.    480,00 

The extraordinary performance of the combination record/playback head in the LX-3 provides sound quality on a par with most 3 head cassette decks.2 heads, 3 motors Nakamichi's "Silent Mechanism" transport Double Capstan Micrproccessor Control Digital tape counter Counter reset button Tape selector switch: EX, SX, ZX Dolby B, C noise reduction MPX filter Play/record TIMER Peak level meters Record mute Master fader Bias Tune Control Eq switch: 70, 120 Headphone jackSpecificationsType: 2-head, single compact cassette deckTrack System: 4-track, 2-channel stereoTape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x eraseMotor: 1 x reel, 1 x capstan Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 20kHz (Metal tape)Signal to Noise Ratio: 68dB (dolby C)Wow and Flutter: 0.06%Total Harmonic Distortion: 1.0%Input: 50mV (line)Output: 1V (line)Dimensions: 450 x 135 x 307mm Weight: 8.5kg

 

       

 

NAKAMIKI   480                                                                                                                                           €.    350,00 

 

The 480 is a truly superior product, designed and built by Nakamichi to deliver the utmost in quality and performance. It incorporates engineering innovations in every important area, which includes magnetic heads, transport and electronics. Advanced design enables the 480 to realise the full potential of the latest in magnetic recording technology; the metal particle tape Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Tape Type: type I, CrO2, Metal Noise Reduction: B Frequency Response: 20Hz to 20kHz (Metal tape) Signal to Noise Ratio: 62dB (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion: 1.2% Input: 50mV (line) Output: 0.6V (line) Dimensions: 450 x 135 x 289mm Weight: 6.4kg

 

 

NAKAMIKI   BX2                                                                                                                                          €.    350,00 

Today's budget-conscious audiophile is faced with a difficult decision. As costs sky rocket, the price of high-quality sound is slipping beyond the reach of many music lovers. Must they sacrifice performance to stay within budget? We don't think so, and as proof, we offer the BX-2! Many low-cost cassette recorders offer numerous features, but, when you listen to them, something is missing. Sound lacks clarity; detail is lost in a confused muddy homogeneity, and all the knobs and controls in the world don't rescue it. What is lacking is basic performance, the sine qua non of high-fidelity reproduction. So much has been spent on features - many of which will never be used - that little is left to ensure quality. The BX-2 is different. Emphasis is on sonic excellence, not bells and whistles; on clean elegant styling, not superfluous knobs. Compare the sound of the BX-2 with competitively priced models. We're confident you'll hear the difference quality makes! Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Motor: 1 x reel, 1 x capstan Tape Type: type I, CrO2, Metal Noise Reduction: B, C Frequency Response: 20Hz to 20kHz (Metal tape) Signal to Noise Ratio: 68dB (dolby C) Wow and Flutter: 0.06% Total Harmonic Distortion: 1.0% Input: 50mV (line) Output: 0.5V (line) Dimensions: 430 x 110 x 250mm  Weight: 5.5kg

 

         

TECHNICS    RS-TR474                                                                                                                        €.    300,00 

 

Specification Type: auto reverse, double compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x playback, 1 x erase Motor: 2 x reel, 2 x capstan Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro Frequency Response: 20Hz to 17kHz (Metal tape) Signal to Noise Ratio: 74dB (dolby C) Wow and Flutter: 0.1% Input: 100mV (line) Output: 0.5V (line) Dimensions: 430 x 136 x 285mm MWeight: 4.4kg

 

 

 

TECHNICS    RS-bx701                                                                                                    Per offertaTelefonare/e-mail

 

Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x combination record/playback, 1 x erase Motor: 1 x capstan, 1 x reel, 1 x mechanism Tape Type: type I, CrO2, Metal Noise Reduction: B, C Headroom Extension: HX Pro Frequency Response: 30Hz to 19kHz (Metal tape) Signal to Noise Ratio: 74dB (dolby C) Wow and Flutter: 0.07% Input: 100mV (line) Output: 0.5V (line) Dimensions: 430 x 125 x 293mm Weight: 4.6kg

 

TECHINICS    RSB106                                                                                                                                   €.    170,00

 

 

PIONEER CT301                                                                                                                                                €.    190,00

 

Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.76 cm/s Heads: 1 x record/playback, 1 x erase Motor: 1 x DC servo Tape Type: type I, CrO2, Metal Noise Reduction: B Frequency Response: 35Hz to 15kHz (Metal tape) Signal to Noise Ratio: 67dB (dolby B) Wow and Flutter: 0.06% Total Harmonic Distortion: 1.5% Input: 50mV (line), 0.3mV (mic) Output: 0.3V (line) Dimensions: 420 x 120 x 238mm Weight: 3.8kg

 

 


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MARANTZ  ST 6001                                                                          €.  200,00  

NAKAMICHI  ST7                                                                              €.  850,00

The Nakamichi ST-7 / ST-7E is a digital synthesis tuner with the Schotz Noise Reduction technology. This revolutionary system improves effective stereo sensitivity by about 9db and lets you enjoy clean stereo on broadcasts that previously could only be received in mono. Other features include seek and manual tuning as well as 16 FM/AM presets that can be programmed at random, thus combining convenience with top-level capability

 


 

 

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NAKAMICHI  TUNER 2                                                                       €.  650,00

 


 

 

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STAX  SR404                                                                          €.  599,00

 

The Stax 4040II System is one of the few headphone systems I could envision displacing my loudspeaker listening. It achieves a few of the holy grail qualities headphones must have to warrant extended, repeated use: 1. Neutrality. These headphones are near perfect in their tonal response and as such are nearly fatigue free. The frequency extremes are decently extended which is a bonus, but most importantly, there are no errors within the range they reproduce. Some may find the lack of a mid-bass hump disconcerting, but after acclimatizing to the sound you realize this is how music is supposed to be reproduced. 2. Comfort. Other than the AKG K501, these are the most comfortable headphones I have ever used. You can wear them for hours and hardly notice them. 3. Openness of soundstage. Better than anything I've heard, these allow you forget at times that you are listening to headphones. M4. Supreme resolution. I have heard no headphones which better these in terms of low-level detail. Other headphones will force detail upon you through accentuated treble or emphasized transients. These present everything "as it is." The few drawbacks of the SR404 are largely related to partnering equipment. You must search out the best source possible. I would hesitate to use any CD player below $3000. These are too revealing. The sound you may get won't be unpleasant as Stax always makes the best of the source material, but it will become painfully obvious what kind of flaws most source components suffer from.

 

 

STAX  SRM-1 MK2                                                                     €.  890,00

The Stax SRM-1/MK-2 Professional is a high-voltage amplifier and bias source for Stax' electrostatic headphones. It has both a Professional (580 V) and a Standard (230 V) output, so any Stax earspeaker ever made since 1959 works perfectly. (Stax' marketing people have always called their headphones "earspeakers.") The SRM1-Mk-2 Professional is an FET-input, pure class-A, DC-coupled amplifier. It has no capacitors or transformers in the audio path. It's housed in a completely non-magnetic case to ensure no inadvertent magnetic coupling happens. It uses high-voltage bipolar transistors in its output stage. It has enough output to deafen us with any of Stax' headphones, without any distortion. It is fed from any device with 1/4" RCA jacks, or even directly from iPods and iPads with any 99˘ 3.5mm to RCA cord. If you do your iPod transfers correctly, this and a set of SR-Lambda Professionals sounds indescribably incredible from an iPod, if you'd just listen. This SRM-1/Mk-2 Professional was Stax' top amplifier from 1982-1995. A few other amps came along during that time: All versions of the SRM-1/MK-2 amps are the same, differing only in the bias supply fed to the diaphragm. They have come in both silver and black. The audio amplifiers are the same, and in fact, regardless of bias voltage and pin count of any particular socket, the audio connected to each socket is actually wired directly to the same amplifier output. The audio sections of the two sockets are wired in parallel! The only significant circuit differences among the versions are leads coming from one bias supply or another Stax SRM-1/MK-2 is how its name is printed on the front and back of the amplifier, but be careful to look for the PROFESSIONAL printed on the top cover, or one jack marked PRO ONLY and the other marked NORMAL. Others will write is as SRM-1 Mark II, SRM1-MK2, or other ways. The SRM-1/MK-2 (not professional) has two standard (230 V bias) outputs, while this Professional version has one standard and one professional (580 V bias) output. Inputs There is one loop-through line-level input. Rated 100 mV, 50 k Ohm. Loop-through means they are wired together; you can insert this in between any two other components, and even if it's turned-off, the signal goes through. Gain 60 dB (1,000x).In other words, a 100 mV input can produce a 100 V output at maximum gain. Frequency Response Rated DC - 20 kHz, ±1 dB, at 30 V with one pair of SR-Lambda. Distortion Rated 0.01% THD at 1 kHz. Rated 0.05% THD at 100 V at 1 kHz while driving an SR-Lambda. Internal Wiring Super oxygen-free copper with giant crystals. Outputs The two headphone audio (plate) outputs are connected in parallel. Rated 370 V RMS maximum output at 1 kHz. The bias voltage of the "normal" socket is standard 230 V, and the Professional outlet has a 580 V bias voltage. Size  Rated 5.9 x 3.4 x 14.2 inches, WHD Rated 150 x 87 x 370 millimeters, WHD. Weight Rated 2,000 g. (70.5 oz. or 4.41 pounds). Line Voltage and Power Voltage: Rear-panel selectable 100 V, 117 V, 220 V or 240 V. Frequency: 50 - 60 Hz. Power Consumption: Rated 33 Watts. Ambient Operating Temperature 0 ~ 40 ş C (32 ~ 104şF).

 

 

STAX  SRD7                                                                            €.  250,00

 

The Stax SRD-7 energizer works differently than a regular Stax amplifier. It requires to be piggy-backed to a standard speaker amplifier, where it takes the current from the speaker amplifier and convert it to the necessary high voltage power for driving Stax Electrostatic headphones. It remains a popular choice among Stax users as a cheaper alternative than a standard electrostatic amplifiers.  MThe SRD-7 pictured here is a normal bias version, where both headphone out has the 6-pin normal bias Stax connectors. There are also pro-bias SRD-7s that accomodates the higher bias Pro-version Stax headphones. The unit itself is fairly small, measuring roughly 12cm x 7cm x 20cm, and it easily finds place next to your computer. The front panel has a knob for turning power on and off. When the knob is on the off position, the signal from your speaker amplifier is passed on to the speakers, thus you conveniently can switch between your headphone and speaker set up.On the back panel, we find two cables as well as four binding posts for connecting your speakers. The black cable is the AC Power cable, where the gray cable goes into your speaker amplifier. Conveniently, Stax included the cabling legend for connecting the SRD-7 to your speaker amplifier. Power consumption is surprisingly low at 0.1w.

 


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KENWOOD GE 730                    Prezzo offerta    €. 399,00

dbX-2BX EXPANDER                          Prezzo offerta    €. 399,00

2BAND DYNAMIC RANGE EXPANDER  dbx 2BX two band dynamic range expander. The limitations of the recording process requires record and tape manufactureers to sacrifice nearly half the dynamic content of live music. Crescendos and loudness variations containing vital musical information must be reduced in scale, compromising the presence and excitement of the original performance. A dynamic range expander is a complex electronic system which makes quiet sounds quieter and loud sounds louder to restore the dynamics sacrificed in the recording process

PIONEER MA9                                  Prezzo offerta    €. 299,00

ROTEL  RSP 900                       Prezzo offerta    €. 499,00

SELETTORE DI  DIFFUSORI

TECHNICS SH-8055                                      Per offerta Telefonare/  e-mail

PIONEER SG9                                              Per offerta Telefonare/  e-mail

SANSUI DS7                                      Per offerta Telefonare/  e-mail

TECHNICS SH-800                             Prezzo offerta    €. 350,00

TECHNICS SH-8055                           Prezzo offerta    €. 250,00


MIXER Telefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


TEAC MIXER  model 2                        Prezzo offerta    €. 250,00

 


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INFOCUS IN72                                                                Per  offerta  Telefona/Email

Description  The InFocus IN72 DLP home entertainment projector offers all of the excitement of attending your first rock concert! You can’t always get what you want? With the IN72, you can always get it – in sports, gaming or television entertainment. It’s like going out on the town without having to leave home! With its stylish design, it delivers more performance than a plasma TV – at less cost. Go for it! Live large. Invite your guests to see the latest movies in your own screening room. The IN72 truly brings it all back home. Product Identifiers  Brand InFocus  Model IN72  MPN IN72  UPC 00797212665706, 797212665706  Key Features  Display Technology DLP  Resolution 854x480  Image Brightness 900 ANSI Lumens  Contrast Ratio 2000:1  Form Factor Portable  Image  Max Resolution 1024 x 768 (XGA) Image Size (Diagonal) 32.47 in. - 156.46 in.  Image Aspect Ratio 16:9  HDTV Formats 1035i, 1080i, 1080p, 480i, 480p, 576i, 576p, 720p  Screen Distance 5 ft. - 20 ft.  Synchronization Range Horizontal 31.5-80 kHz  Synchronization Range Vertical 50-85 Hz  Analog Video Format NTSC, PAL, SECAM  Color Support 24-bit (16.7M colors)  Technical Features  Platform Mac, PC  Front Panel Controls Keypad  Remote Control Features Illuminated Remote  Connectors Component, Composite (RCA), DVI, HDMI, S-Video  Interfaces  Video input 4 Pin - Mini DIN (S-Video), Component Video, Composite Video, DVI, HDMI x 1 Lamp  Lamp Type SHP  Light Source Power 200W SHP  Light Source Life 3000 Hours  Dimensions  Width 14.2 in.  Depth 14.2 in.  Height 4.7 in.  Weight 9.3 lb.  Miscellaneous  Features Keystone Correction  Projection Method Ceiling, Front, Rea

 

 

EPSON   EH-TW9000                                                          Per  offerta  Telefona/Email

 

Color Light Output 2.400 lumen White Light Output2.400 lumen Risoluzione Full HD 1080p, 1920 x 1080, 16:9 Alta definizione Full HD Aspect Ratio 16:9 Rapporto di contrasto 200.000 : 1 Lampada ETORL, 230 W, 4.000 h Durata, 5.000 h Durata (in modalitŕ Risparmio energetico) Correzione trapezoidale Automatico verticale: ± 30 ° Frequenza immagini 2D/3D 120 Hz / 480 H Rapporto di proiezione 1,34 - 2,87:1 Zoom Manual, Factor: 1 - 2,1 Lenti Ottico Lens Shift Manuale - Verticale ± 96,3 %, orizzontale ± 47,1 % Dimensioni immagine30 pollici - 300 pollici Distanza di proiezione grandangolare 0,9 m - 9 m Distanza di proiezione teleobiettivo 1,9 m - 19,2 m Rapporto focale (F) 2 - 3,17 Distanza focale 23 mm - 47 mm Messa a fuoco Manuale S-232, Ingresso HDMI (2x), Ingresso Composite (2x), Ingresso Component Modalitŕ colore 3D 3D Dinamico, 3D Cinema Caratteristiche Correzione automatica del colore, Correzione trapezoidale automatica, Tecnologia DeepBlack, Epson Cinema Filter, Epson Super White, Frame interpolation, Accensione/spegnimento istantanei, Funzione Split Screen Modalitŕ colore Cinema, Dinamico, Soggiorno, Naturale Consumo energetico 348 Watt, 263 Watt (in modalitŕ Risparmio energetico), 0,37 Watt (in standby) Dimensioni 466‎ x 140 x 395 mm (LxPxA) Peso 8,3 kg Livello di rumore Mod. Normale: 32 dB (A) - Mod. Economy: 22 dB (A)

 

 

EPSON  TW 3800                         Per offertaTelefonare/ invia  un e-mail

Resolution 1920x1080  Type LCD  Weight (kg) 7 Rated fan noise (dB) 22 Throw ratio 2.4-5.1 Rated contrast 18000:1  Aspect ratio 16:9  Max image size (in) 300  Dimensions (hwd, cm) 15x45x39  Rated brightness (Lumens) 1800  Phono audio in 0  PC in 0  S-Video in 1  HDMI in 2  RGB Scart in 1 Component in 1  Accepts 1080p Yes  24fps Yes  HDMI 1.3a Yes  Composite in 1  DVI in 0  HD Ready Yes  Full HD Yes

 

SHARP XV-C1E                              Per offertaTelefonare/ invia  un e-mail

SHARP XV-C100E                          Per offertaTelefonare/ invia  un e-mail

 


PROCESSORI VIDEOTelefona o invia un  e-mail per avere l'ultima offerta   0174 670100   Telefona o invia un  e-mail per avere l'ultima offerta  0174 670100  info@newaudio.it


DVDO                                 Per offertaTelefonare/ invia  un e-mail   

PANASONIC                                         Prezzo offerta    €. 559,00

 

DBX-DAV 600G                           Per offerta Telefonare/ invia  un e-mail

Audio video program route selector A switching console for people who have more equipment than their receivers have inputs.
* 3 video input/output (play & record, that is) plus one video input-only (for laserdisc or DVD)  * 3 audio input/output  * Multiple audio and video effects processing loops for noise reduction units, equaliser, etc.  The only difference between the video and audio sections is the passing of video through the circuit. I have almost always used it for six audio connections and ignored the video 


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Infinity infinitesimal                COPPIA Prezzo offerta €. 400,00

INFINITY FILTRI PB Renaissance 80  Prezzo offerta €. 150,00

 CROSSOVER ORIGINALE PASSA BASSO IDEALE PER AUTOCOSTRUTTORI O  RICAMBIO ORIGINALE PER :REINASSANCE80,REINASSANCE90 DISPONIBILI  POCHI PEZZI AFFRETTARSI

INFINITY FILTRI PH Renaissance 80         Prezzo offerta €. 170,00

CROSSOVER ORIGINALE PASSA ALTO PER  EMIT ED EMIN IDEALE PER AUTOCOSTRUTTORI O  RICAMBIO ORIGINALE PER :REINASSANCE80,REINASSANCE90 DISPONIBILI  POCHI PEZZI AFFRETTARSI

 

INFINITY EMIT 902-5228                    PREZZO OFFERTA €.250,00

IDEALE PER AUTOCOSTRUTTORI O  RICAMBIO ORIGINALE PER :SIGMA,EPSYLON,OMEGA,REINASSANCE80,REINASSANCE90 


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NAKAMICHI IND7                                      Prezzo offerta     €.1.890,00

 

NAKAMICHI IN DV7 TUNER TV IN DASH DVD PLAYER TOUCH SCREEN RDS
IN-DV7 – Nakamichi’s Latest Venture in Car Audio Multimedia IN-DV7, a stylish and user-friendly In-Dash DVD/TV/Tuner is Nakamichi’s latest venture in Car Audio Multimedia. Nakamichi seeks to elevate in-car entertainment to new heights by delivering high performance visual and audio experience with IN-DV7, illustrating Nakamichi’s technological prowess and ingenious expertise.The Touch Screen Control allows finger-tip control of virtually all functions. Alternatively, you could also operate with ease with the user-friendly integrated big function buttons that are prominently visible. Enabled with Joystick Menu Navigation, you can navigate conveniently with more room for mobility. With its 60 sec Electronic Skip Protection, you no longer have to worry about screen or sound distortion whenever the vehicle goes over a bump. Experience maximise sound amplification with minimal sound distortion with the Discrete 4-Channel MOSFET High Power IC Amp, even at great outputs. Superb audio reproduction is delivered accurately and enhanced that would satisfy any discerning audiophiles. IN-DV7 also boosts with screen resolution of 1.15 mega pixels for its LCD display that projects clear and vivid pictures. Aimed to be the ultimate mobile theatre system, IN-DV7 performs flawlessly with a motorised 7 inch TFT LCD Flip-out/up screen which is automatically elevated for good viewing position at a push of a button. Both the driver and passengers will be entertained with Dual Zone environment – front audio for the driver while rear-seat passengers could watch their own video entertainment. Consistent with Nakamichi’s product design philosophy, INDV7’s elegant aesthetic design would complement any dashboard display and establish car interior trends.Renowned for its superior product design, acoustic quality and performance,Nakamichi has once again successfully produced a versatile and superior InCar Entertainment System for its discerning audience.SPECIFICATIONS:• High Definition 1.15 Mega Pixels• Active Matrix LCD Panel• Full Automatic Motorised TFT LCD Flip-Out/up• Multi-Zone Output (Kid Zone)• Touch Screen Control• DVD-R/-RW, CD-R/RW Compatible• JPEG, VCD, SVCD, DVD Media Formats• MP3 Direct Track Access• Dual Zone – Audio For Driver And Video For Back Seats• Joystick Menu Navigation• Tilt Adjustment 2-Stage 6 Steps Automated• ID3 Tag Compatible• 60-Sec ESP• High-Speed Audible Track Search• All-In-One (No External AV Box)• Discrete 4-Channel MOSFET High-Power IC Amp Monitor Section:Screen Size 7” Diagonal, 16:9 Widescreen160(H) x 102(W) mm 6.3(H) x 4(W) InchesScreen Type TFT Liquid Crystal Display (LCD)Resolution DVD Player : 1.15 Mega Pixels(Internal RGB Digital Interface) 800(H) x 480(W) x 3 Composite Video Input 384,000 Pixels 800(H) x 480(W) mm Pixel Pitch 0.1905 x 0.1905 mm Viewing Angle 65° Left / Right 45° Up, 50° Down (Manual Adjustment DVD/CD Player Section Compatible Formats DVD-R, DVD-RW, CD-R, CD-RW, CDDA, MP3, SVCD, VCD, JPEG Signal-to-Noise Ratio 70 dB Frequency Response 20 Hz to 20 kHz, -3 dB Channel Separation 60 dB D/A Converter 24 Bit 192kHz, DELTA-SIGMA Converter Television:18 Channel Auto Preset Memory 4-Line Diversity Antenna (Supplied) Tuner: 18 FM / 12 AM Presets with Preset Scan Auto Station Store CEA Section Power Output 30 W x 4 Channels 10% THD 1 kHz Signal-to-Noise 70 dBA Dynamic Power 36 W at 4 ohm x 4 Channels Frequency Response 20 Hz to 20 kHz, -3 dB Power Supply 14.4 VDC FM Tuner Section Frequency Range USA 87.5 – 107.9 MHz in 200 kHz Steps Other Area 87.5 – 108.0 MHz in 50 kHz StepsQuieting Sensitivity (-50 dB) 15 dBf Signal-to-Noise Ratio > 60 dB (1 kHz) Stereo Separation > 30 dB (1 kHz) Distortion 1%AM Tuner Section Frequency Range USA 530 – 1,710 kHz in 10 kHz Steps Other Area 531 – 1,602 kHz in 9 kHz Steps Sensitivity (-20 dB) 30 µ V Signal-to-Noise Ratio 48 ~ 49 dB (1 kHz) Video Section Formats NTSC or PAL (According To Country Of Sale)* Dimensions do not include protruding parts. Specifications and design are subject tochange for further improvement without notice.Output 1 Vp-p (75 ohm)Input 1 Vp-p (75 ohm)General:Full Function Infrared Remote ControlLimited Function Infrared ‘Kid Zone’ Remote Control Connection Facilities• OSD – On Screen Display Menu Control• 2 Pairs Front / Rear (RCA) Pre-amp Outputs• 2V RMS RCA Pre-amp Output Voltage• 1 Subwoofer Pre-amp Output (RCA)• 1 Center Channel RCA Pre-amp Output (Variable)• 2 Pairs Rear (RCA) Auxiliary A/V Inputs• 1 Composite Video Output For Additional Screens Audio Input Impedance 10 k Power Supply 11 VDC to 16 VDC (Negative Ground) Fuse 10 Amp, ATO Type
DIN Chassis Dimensions 178(H) x 178(W) x 51(D) mm7(H) x 7(W) x 2(D) Inches Weight Approx. 4.3 kg / 9.5 lbs